If we enter with him into the humble cottage where he was born and from which he had hardly strayed more than a dozen miles in the twenty-two years of his circumscribed life, we may be able to understand him better.
It was an unpainted house perched on an arid hillside, with nothing before it but the limitless sea. He had found his way to it mechanically, but as he approached the narrow doorway he paused and turned his face towards the stretch of heaving waters, whose low or loud booming had been first his cradle song and then the ceaseless accompaniment of his later thoughts and aspirations. It was heaving yet, ceaselessly heaving, and in its loud complaint there was a sound of moaning not always to be found there, or so it seemed to Sweetwater in his present troubled mood.
Sighing as this sound reached his ear, and shuddering as its meaning touched his heart, Sweetwater pushed open the door of his small house, and entered.
“It is I, mamsie!” he shouted, in what he meant to be his usual voice; but to a sensitive ear—and what ear is so sensitive as a mother’s?—there was a tremble in it that was not wholly natural.
“Is anything the matter, dear?” called out that mother, in reply.
The question made him start, though he replied quickly enough, and in more guarded tones:
“No, mamsie. Go to sleep. I’m tired, that’s all.”