Celtic Literature eBook

This eBook from the Gutenberg Project consists of approximately 154 pages of information about Celtic Literature.

Celtic Literature eBook

This eBook from the Gutenberg Project consists of approximately 154 pages of information about Celtic Literature.
success, and we all teach them to our children, and armies speaking them have domineered in every city of that Germany by which the British Celt was broken, and in the train of these armies, Saxon auxiliaries, a humbled contingent, have been fain to follow; the poor Welshman still says, in the genuine tongue of his ancestors, {4} gwyn, goch, craig, maes, llan, arglwydd; but his land is a province, and his history petty, and his Saxon subduers scout his speech as an obstacle to civilisation; and the echo of all its kindred in other lands is growing every day fainter and more feeble; gone in Cornwall, going in Brittany and the Scotch Highlands, going, too, in Ireland; and there, above all, the badge of the beaten race, the property of the vanquished.

But the Celtic genius was just then preparing, in Llandudno, to have its hour of revival.  Workmen were busy in putting up a large tent-like wooden building, which attracted the eye of every newcomer, and which my little boys believed (their wish, no doubt, being father to their belief,) to be a circus.  It turned out, however, to be no circus for Castor and Pollux, but a temple for Apollo and the Muses.  It was the place where the Eisteddfod, or Bardic Congress of Wales, was about to be held; a meeting which has for its object (I quote the words of its promoters) ’the diffusion of useful knowledge, the eliciting of native talent, and the cherishing of love of home and honourable fame by the cultivation of poetry, music, and art.’  My little boys were disappointed; but I, whose circus days are over, I, who have a professional interest in poetry, and who, also, hating all one-sidedness and oppression, wish nothing better than that the Celtic genius should be able to show itself to the world and to make its voice heard, was delighted.  I took my ticket, and waited impatiently for the day of opening.  The day came, an unfortunate one; storms of wind, clouds of dust, an angry, dirty sea.  The Saxons who arrived by the Liverpool steamers looked miserable; even the Welsh who arrived by land,—­whether they were discomposed by the bad morning, or by the monstrous and crushing tax which the London and North-Western Railway Company levies on all whom it transports across those four miles of marshy peninsula between Conway and Llandudno,—­ did not look happy.  First we went to the Gorsedd, or preliminary congress for conferring the degree of bard.  The Gorsedd was held in the open air, at the windy corner of a street, and the morning was not favourable to open-air solemnities.  The Welsh, too, share, it seems to me, with their Saxon invaders, an inaptitude for show and spectacle.  Show and spectacle are better managed by the Latin race and those whom it has moulded; the Welsh, like us, are a little awkward and resourceless in the organisation of a festival.  The presiding genius of the mystic circle, in our hideous nineteenth-century costume, relieved only by a green scarf, the wind drowning his voice and the dust powdering his whiskers, looked thoroughly wretched; so did the aspirants for bardic honours; and I believe, after about an hour of it, we all of us, as we stood shivering round the sacred stones, began half to wish for the Druid’s sacrificial knife to end our sufferings.  But the Druid’s knife is gone from his hands; so we sought the shelter of the Eisteddfod building.

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Celtic Literature from Project Gutenberg. Public domain.