To go a little further. Of the two great Celtic divisions of language, the Gaelic and the Cymric, the Gaelic, say the philologists, is more related to the younger, more synthetic, group of languages, Sanscrit, Greek, Zend, Latin and Teutonic; the Cymric to the older, more analytic Turanian group. Of the more synthetic Aryan group, again, Zend and Teutonic are, in their turn, looser and more analytic than Sanscrit and Greek, more in sympathy with the Turanian group and with Celtic. What possibilities of affinity and influence are here hinted at; what lines of inquiry, worth exploring, at any rate, suggest themselves to one’s mind. By the forms of its language a nation expresses its very self. Our language is the loosest, the most analytic, of all European languages. And we, then, what are we? what is England? I will not answer, A vast obscure Cymric basis with a vast visible Teutonic superstructure; but I will say that that answer sometimes suggests itself, at any rate,— sometimes knocks at our mind’s door for admission; and we begin to cast about and see whether it is to be let in.
But the forms of its language are not our only key to a people; what it says in its language, its literature, is the great key, and we must get back to literature. The literature of the Celtic peoples has not yet had its Zeuss, and greatly it wants him. We need a Zeuss to apply to Celtic literature, to all its vexed questions of dates, authenticity, and significance, the criticism, the sane method, the disinterested endeavour to get at the real facts, which Zeuss has shown in dealing with Celtic language. Science is good in itself, and therefore Celtic literature,—the