six thousand francs, but the expenses amounted to eleven
thousand francs. This might be partially covered
if, in the case of the two less expensive concerts
still to come, we could rely on considerably higher
returns. Belloni and Giacomelli shook their heads,
however; they thought it better not to close their
eyes to the fact that concerts were not suited to the
taste of the French people, who demanded the dramatic
element as well, that is to say, costumes, scenery,
the ballet, etc., in order to feel satisfied.
The small number of tickets sold for the second concert,
which was given on the 1st of February, actually put
my agents to the necessity of filling the room artificially,
so as at least to save appearances. I had to
allow them to do as they thought best in this matter,
and was afterwards astonished to learn how they had
managed to fill the first places in this aristocratic
theatre in such a way as to deceive even our enemies.
The real receipts amounted to little over two thousand
francs, and it now required all my determination and
my contempt for the miseries that might result not
to cancel the third concert to be given on the 8th
of February. My fees from Schott, a part of which,
it is true, I had to devote to the household expenses
of my troubled domestic existence, were all spent,
and I had to look round for further subsidies.
These I obtained with great difficulty, through Gasperini’s
mediation, from the very man to win whose assistance
in a much wider sense had been the whole object of
the concerts. In short, we had to have recourse
to M. Lucy, the Receiver-General of Marseilles, who
was to come to Paris at the time my concerts were
being given, and upon whom my friend Gasperini had
assumed that an important Parisian success would have
the effect of making him declare his readiness to
finance my project of establishing German opera in
Paris. M. Lucy, on the contrary, did not appear
at the first concert at all, and was only present
at a part of the second, during which he fell asleep.
The fact that he was now called upon to advance several
thousands of francs for the third concert naturally
seemed to him to protect him against any further demands
on our part, and he felt a certain satisfaction at
being exempt from all further participation in my
plans, at the price of this loan. Although, as
a matter of fact, this concert now seemed useless,
it nevertheless gave me great pleasure, as much through
the spirited performance itself as on account of its
favourable reception by the audience, which, it is
true, my agents had again to supplement in order to
give the appearance of a full hall, but which, nevertheless,
showed a marked increase in the number of tickets
paid for.