boots three sizes too small are the legitimate prey of the slipper-man, since the average human would yield up almost his last piastre rather than promenade around in St. Sophia with his big toe protruding through his foot-gear like a mud-turtle’s head, or run the risk of having to be hauled bare-footed to his hotel in a hack, from the impossibility of putting his boots on again.  Devout Mussulmans are bowing their foreheads down to the mat-covered floor in a dozen different parts of the mosque as we enter; tired-looking pilgrims from a distance are curled up in cool corners, happy in the privilege of peacefully slumbering in the holy atmosphere of the great edifice they have, perhaps, travelled hundreds of miles to see; a dozen half-naked youngsters are clambering about the railings and otherwise disporting themselves after the manner of unrestrained juveniles everywhere — free to gambol about to their hearts’ content, providing they abstain from making a noise that would interfere with devotions.  Upon the marvellous mosaic ceiling of the great dome is a figure of the Virgin Mary, which the Turks have frequently tried to cover up by painting it over; but paint as often as they will, the figure will not be concealed.  On one of the upper galleries are the “Gate of Heaven " and “Gate of Hell,” the former of which the Turks once tried their best to destroy; but every arm that ventured to raise a tool against it instantly became paralyzed, when the would-be destroyers naturally gave up the job.  In giving the readers these facts I earnestly request them not to credit them to my personal account; for, although earnestly believed in by a certain class of Christian natives here, I would prefer the responsibility for their truthfulness to rest on the broad shoulders of tradition rather than on mine.

The Turks never call the attention of visitors to these reminders of the religion of the infidels who built the structure, at such an enormous outlay of money and labor, little dreaming that it would become one of the chief glories of the Mohammedan world.  But the door-keeper who follows visitors around never neglects to point out the shape of a human hand on the wall, too high up to be closely examined, and volunteer the intelligence that it is the imprint of the hand of the first Sultan who visited the mosque after the occupation of Constantinople by the Osmanlis.  Perhaps, however, the Mussulman, in thus discriminating between the traditions of the Greek residents and the alleged hand-mark of the first Sultan, is actuated by a laudable desire to be truthful so far as possible; for there is nothing improbable about the story of the hand-mark, inasmuch as a hole chipped in the masonry, an application of cement, and a pressure of the Sultan’s hand against it before it hardened, give at once something for visitors to look at through future centuries and shake their heads incredulously about.  Not the least of the attractions are two monster wax candles,