Shakespeare, Bacon, and the Great Unknown eBook

This eBook from the Gutenberg Project consists of approximately 254 pages of information about Shakespeare, Bacon, and the Great Unknown.

Shakespeare, Bacon, and the Great Unknown eBook

This eBook from the Gutenberg Project consists of approximately 254 pages of information about Shakespeare, Bacon, and the Great Unknown.

CHAPTER X:  “THE TRADITIONAL SHAKSPERE”

In perusing the copious arguments of the Anti-Shakesperean but Non-Baconian Mr. Greenwood, I am often tempted, in Socratic phrase, to address him thus:  Best of men, let me implore you, first, to keep in memory these statements on which you have most eloquently and abundantly insisted, namely, that society in Stratford was not only not literary, but was illiterate.  Next pardon me for asking you to remember that the late sixteenth and the early seventeenth century did not resemble our fortunate age.  Some people read Shakespeare’s, Beaumont’s, and Fletcher’s plays.  This exercise is now very rarely practised.  But nobody cared to chronicle literary gossip about the private lives and personal traits of these and several other Elizabethan and Jacobean playwrights, in the modern manner.  Of Shakespeare (pardon, I mean Shakspere), the actor, there is one contemporary anecdote, in my poor opinion a baseless waggery.  Of Beaumont there is none.  Of a hand-maid of Fletcher, who drank sack in a tumbler, one anecdote appears at the end of the seventeenth century,—­nothing better.  Meanwhile of Shakspere the “traditions” must be sought either at Stratford or in connection with the London Stage; and in both cases the traditions began to be in demand very late.

As Stratford was not literary, indeed was terribly illiterate, any traditions that survived cannot conceivably have been literary.  That is absolutely certain.  Natives at Stratford had, by your own hypothesis, scant interest in literary anecdote.  Fifty years after Shakespeare’s death, no native was likely to cherish tales of any sprouts of wit (though it was remembered in 1649, that he was “witty"), or any “wood-notes wild,” which he may have displayed or chirped at an early age.

Such things were of no interest to Stratford.  If he made a speech when he killed a calf, or poached, or ran away to town, the circumstance might descend from one gaffer to another; he might even be remembered as “the best of his family,”—­the least inefficient.  Given your non-literary and illiterate Stratford, and you can expect nothing more, and nothing better, than we receive.

Let me illustrate by a modern example.  In 1866 I was an undergraduate of a year’s standing at Balliol College, Oxford, certainly not an unlettered academy.  In that year, the early and the best poems of a considerable Balliol poet were published:  he had “gone down” some eight years before.  Being young and green I eagerly sought for traditions about Mr. Swinburne.  One of his contemporaries, who took a First in the final Classical Schools, told me that “he was a smug.”  Another, that, as Mr. Swinburne and his friend (later a Scotch professor) were not cricketers, they proposed that they should combine to pay but a single subscription to the Cricket Club.  A third, a tutor of the highest reputation as a moralist and metaphysician, merely smiled at my early enthusiasm,—­ and told me nothing.  A white-haired College servant said that “Mr. Swinburne was a very quiet gentleman.”

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Shakespeare, Bacon, and the Great Unknown from Project Gutenberg. Public domain.