I must apologise if I have in places spelled the name of the Swan of Avon “Shakespeare” where Mr. Greenwood would write “Shakspere,” and vice versa.  He uses “Shakespeare” where he means the Author; “Shakspere” where he means Will; and is vexed with some people who write the name of Will as “Shakespeare.”  As Will, in the opinion of a considerable portion of the human race, and of myself, was the Author, one is apt to write his name as “Shakespeare” in the usual way.  But difficult cases occur, as in quotations, and in conditional sentences.  By any spelling of the name I always mean the undivided personality of “Him who sleeps by Avon.”

CHAPTER I:  THE BACONIAN AND ANTI-WILLIAN POSITIONS

Till the years 1856-7 no voice was raised against the current belief about Shakespeare (1564-1616).  He was the author in the main of the plays usually printed as his.  In some cases other authors, one or more, may have had fingers in his dramas; in other cases, Shakespeare may have “written over” and transfigured earlier plays, of himself and of others; he may have contributed, more or less, to several plays mainly by other men.  Separately printed dramas published during his time carry his name on their title-pages, but are not included in the first collected edition of his dramas, “The First Folio,” put forth by two of his friends and fellow-actors, in 1623, seven years after his death.

On all these matters did commentators, critics, and antiquarians for long dispute; but none denied that the actor, Will Shakspere (spelled as heaven pleased), was in the main the author of most of the plays of 1623, and the sole author of Venus and Adonis, Lucrece, and the Sonnets.

Even now, in England at least, it would be perhaps impossible to find one special and professed student of Elizabethan literature, and of the classical and European literatures, who does not hold by the ancient belief, the belief of Shakespeare’s contemporaries and intimates, the belief that he was, in the sense explained above, the author of the plays.

But ours is not a generation to be overawed by “Authority” (as it is called).  A small but eager company of scholars have convinced themselves that Francis Bacon wrote the Shakespearean plays.  That is the point of agreement among these enthusiasts:  points of difference are numerous:  some very wild little sects exist.  Meanwhile multitudes of earnest and intelligent men and women, having read notices in newspapers of the Baconian books, or heard of them at lectures and tea-parties, disbelieve in the authorship of “the Stratford rustic,” and look down on the faithful of Will Shakespere with extreme contempt.

From the Baconians we receive a plain straightforward theory, “Bacon wrote Shakespeare,” as one of their own prophets has said. {4a} Since we have plenty of evidence for Bacon’s life and occupations during the period of Shakespearean poetic activity, we can compare what he was doing as a man, a student, a Crown lawyer, a pleader in the Courts, a political pamphleteer, essayist, courtier, active member of Parliament, and so on, with what he is said to have been doing—­by the Baconians; namely, writing two dramas yearly.