He spoke with a rush of earnestness and eloquence that was both persuasive and powerful, and he now stood silent and absorbed, his dreamy eyes resting meditatively on the massive bust of the immortal personage he called Hyspiros, which smiled out in serene, cold whiteness from the velvet-shadowed shrine it occupied. Theos watched him with fascinated and fraternal fondness, . . did ever man possess so dulcet a voice, he thought? ... so grave and rich and marvellously musical, yet thrilling with such heart-moving suggestions of mingled pride and plaintiveness?
“Thou art a most alluring orator, Sah-luma!” he said suddenly— “Methinks I could listen to thee all day and never tire!”
“I’ faith, so could not I!” interposed Zabastes grimly. “For when a bard begins to gabble goose-like platitudes which merely concern his own vocation, the gods only know when he can be persuaded to stop! Nay, ’tis more irksome far than the recitation of his professional jingle—for to that there must in time come a merciful fitting end, but, as I live, if ’twas my custom to say prayers, I would pray to be delivered from the accursed volubility of a versifier’s tongue! And perchance it will not be considered out of my line of duty if I venture to remind my most illustrious and renowned master—” this with a withering sneer,—“that if he has any more remarkable nothings to dictate concerning this particularly inane creation of his fancy ‘Nourhalma,’ ’twill be well that we should proceed therewith, for the hours wax late and the sun veereth toward his House of Noon.”