“Some fifteen or twenty days subsequent to the first finding, at a depth of twenty-four feet below the surface, other bones were found—a thigh-bone and a portion of the vertebra, and several pieces of charred wood, the bones apparently belonging to the first-found skeleton. In both cases the bones rested on a fibrous stratum, suspected at the time to be a fragment of coarse matting. This lay upon a floor of soft but solid iron-ore, which retained the imprint of the fibers. . . .
“The indications are that the filled cavity had originally been a sort of cave, and that the supposed matting was more probably a layer of twigs, rushes, or weeds, which the inhabitants of the cave had used as a bed, as the fiber
{p. 130}
marks cross each other irregularly. The ore-bed in which the remains were found, and part of which seems to have formed after the period of human occupation of the cave, lies in the second (or saccharoidal) sandstone of the Lower Silurian.”
Note the facts: The remains of this man are found separated—part are eighteen feet below the surface, part twenty-four feet—that is, they are six feet apart. How can we account for this condition of things, except by supposing that the poor savage had rushed for safety to his shallow rock-shelter, and had there been caught by the world-tempest, and torn to pieces and deposited in fragments with the débris that filled his rude home?
In California we encounter a still more surprising state of things.
The celebrated Calaveras skull was found in a shaft one hundred and fifty feet deep, under five beds of lava and volcanic tufa, and four beds of auriferous gravel.
The accompanying cut represents a plummet found in digging a well in the San Joaquin Valley, California, thirty feet below the surface.
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PLUMMET FROM SAN JOAQUIN VALLEY, CAL.
Dr. Foster says:
“In examining this beautiful relic, one is led almost instinctively to believe that it was used as a plummet, for the purpose of determining the perpendicular to the horizon [for building purposes?]; . . . when we consider its symmetry of form, the contrast of colors brought out by the process of grinding and polishing, and the delicate drilling of the hole through a material (syenite) so liable to fracture, we are free to say it affords an exhibition of the lapidary’s skill superior to anything yet furnished by the Stone age of either continent."[1]