BOHAIN (MARQUIS DE), an elderly nobleman whose presence and manners were of a kind to adorn a board of directors, and whose illustrious name was of value on a prospectus.  He was in consequence always in demand by new companies.  Since he began living by speculation, he and his wife had been legally separated, so far as estate went, and he lived with her only as a lodger, with nothing of his own except his clothes.  “On two occasions already he had refused to pay up what he owed; he pocketed as long as he won, but as soon as he lost he did not pay.”  At the request of Saccard, the Marquis became a director of the Universal Bank.  When the great gamble in the shares of the bank began, the Marquis followed his usual plan; having played through Mazaud for a rise, he refused to pay his losses, though he had gained two million francs through Jacoby, through whom he had played for a fall.  L’Argent.

BONGRAND, a great artist, painter of the Village Wedding.  He was a stout man, forty-five years old, with an expressive face and long grey hair; recently he had become a member of the Institute and an officer of the Legion of Honour.  The grandson of a farmer in the Beauce country, the son of a man risen to the middle classes, with peasant blood in his veins, owing his culture to a mother of very artistic tastes, he was rich, had no need to sell his pictures, and retained many tastes and opinions of Bohemian life.  His masterpiece, the Village Wedding, had brought about a revolution in art only parallel with Courbet, and he was acknowledged as Master by all the artists of the young school.  The picture remained, however, his greatest work, though he objected to have it so designated, in the fear that it might be thought his powers were failing.  A later picture called the Village Funeral was intended to surpass it, but failed to arrest attention, and was indeed only an echo of the earlier work.  He was one of the few mourners at the funeral of Claude Lantier.  L’Oeuvre.

BONHOMME, the horse which for a quarter of a century had carried Doctor Pascal on his visits to his patients.  Latterly the old Bonhomme became blind, and was no longer being driven, but being much loved by his master, was tenderly cared for until his death.  Le Docteur Pascal.

BONNAUD, formerly head of the counting-house of a railway company.  Pot-Bouille.

BONNEHON (MADAME), sister of President Grandmorin.  She was married to a wealthy manufacturer, who left her a widow at the age of thirty.  In the mansion-house of Doinville, which belonged to her, she led a pleasant life, not without occasional affairs of the heart, but so correct in every way that she remained a leader of society in Rouen.  She was a handsome woman, and in spite of her fifty years still retained much of her former charm.  Among her friends she included Chaumette and Desbazeilles, both officials of the court at Rouen.  Madame Bonnehon had a good opinion of the Roubauds, and did not approve of the position taken up by her niece Berthe regarding the legacy left to them by President Grandmorin.  For the honour of her family she desired that the inquiry as to the murder of the President should not be continued.  La Bete Humaine.