Lately the squalid spectators of the noisome spectacle on the Place de la Guillotine had had few of these very welcome sights:  an aristocrat —­a real, elegant, refined woman, with white hands and proud, pale face—­mounting the steps of the same scaffold on which perished the vilest criminals and most degraded brutes.

Madame Guillotine was, above all, catholic in her tastes, her gaunt arms, painted blood red, were open alike to the murderer and the thief, the aristocrats of ancient lineage, and the proletariat from the gutter.

But lately the executions had been almost exclusively of a political character.  The Girondins were fighting their last upon the bloody arena of the Revolution.  One by one they fell still fighting, still preaching moderation, still foretelling disaster and appealing to that people, whom they had roused from one slavery, in order to throw it headlong under a tyrannical yoke more brutish, more absolute than before.

There were twelve prisons in Paris then, and forty thousand in France, and they were all full.  An entire army went round the country recruiting prisoners.  There was no room for separate cells, no room for privacy, no cause or desire for the most elementary sense of delicacy.

Women, men, children—­all were herded together, for one day, perhaps two, and a night or so, and then death would obliterate the petty annoyances, the womanly blushes caused by this sordid propinquity.

Death levelled all, erased everything.

When Marie Antoinette mounted the guillotine she had forgotten that for six weeks she practically lived day and night in the immediate companionship of a set of degraded soldiery.

Juliette, as she marched through the streets between two men of the National Guard, and followed by Merlin, was hooted and jeered at, insulted, pelted with mud.  One woman tried to push past the soldiers, and to strike her in the face—­a woman! not thirty!—­and who was dragging a pale, squalid little boy by the hand.

“Crache donc sur l’aristo, voyons!” the woman said to this poor, miserable litte scrap of humanity as the soldiers pushed her roughly aside.  “Spit on the aristocrat!” And the child tortured its own small, parched mouth so that, in obedience to its mother, it might defile and bespatter a beautiful, innocent girl.

The soldiers laughed, and improved the occasion with another insulting jest.  Even Merlin forgot his vexation, delighted at the incident.

But Juliette had seen nothing of it all.

She was walking as in a dream.  The mob did not exist for her; she heard neither insult nor vituperation.  She did not see the evil, dirty faces pushed now and then quite close to her; she did not feel the rough hands of the soldiers jostling her through the crowd:  she had gone back to her own world of romance, where she dwelt alone now with the man she loved.  Instead of the squalid houses of Paris, with their eternal device of Fraternity and Equality, there were beautiful trees and shrubs of laurel and of roses around her, making the air fragrant with their soft, intoxicating perfumes; sweet voices from the land of dreams filled the atmosphere with their tender murmur, whilst overhead a cloudless sky illumined this earthly paradise.