Julia.  You can stay if you like, Daddy:  I can’t.  I’ll wait for you in the hall. (She hurries out.)

Craven (following her).  But what on earth am I to say? (Stopping as she disappears, and turning to Charteris grumbling) Now really you know, Charteris, this is devilish awkward, upon my life it is.  That was a most indelicate thing of you to say plump out before us all—­that about you and Julia.

Charteris.  I’ll explain it all to-morrow.  Just at present we’d really better follow Julia’s example and bolt. (He starts for the door.)

Craven (intercepting him).  Stop! don’t leave me like this:  I shall look like a fool.  Now I shall really take it in bad part if you run away, Charteris.

Charteris (resignedly).  All right.  I’ll stay. (Lifts himself on to the shoulder of the grand piano and sits there swinging his legs and contemplating Craven resignedly.)

Craven (pacing up and down).  I’m excessively vexed about Julia’s conduct, I am indeed.  She can’t bear to be crossed in the slightest thing, poor child.  I’ll have to apologize for her you know:  her going away is a downright slap in the face for these people here.  Cuthbertson may be offended already for all I know.

Charteris.  Oh never mind about him.  Mrs. Tranfield bosses this establishment.

Craven (cunningly).  Ah, that’s it, is it?  He’s just the sort of fellow that would have no control over his daughter. (He goes back to his former place on the hearthrug with his back to the fire.) By the bye, what the dickens did he mean by all that about passing his life amid—­what was it?—­” scenes of suffering nobly endured and sacrifice willingly rendered by womanly women and manly men” and a lot more of the same sort?  I suppose he’s something in a hospital.

Charteris.  Hospital!  Nonsense:  he’s a dramatic critic.  Didn’t you hear me say that he was the leading representative of manly sentiment in London?

Craven.  You don’t say so.  Now really, who’d have thought it!  How jolly it must be to be able to go to the theatre for nothing!  I must ask him to get me a few tickets occasionally.  But isn’t it ridiculous for a man to talk like that!  I’m hanged if he don’t take what he sees on the stage quite seriously.

Charteris.  Of course:  that’s why he’s a good critic.  Besides, if you take people seriously off the stage, why shouldn’t you take them seriously on it, where they’re under some sort of decent restraint?  (He jumps down off piano and goes up to the window.  Cuthbertson comes back.)

Cuthbertson (to Craven, rather sheepishly).  The fact is, Grace has gone to bed.  I must apologize to you and Miss—­ (He turns to Julia’s seat, and stops on seeing it vacant.)

Craven (embarrassed).  It is I who have to apologize for Julia, Jo.  She—­

Charteris (interrupting).  She said she was quite sure that if we didn’t go, you’d persuade Mrs. Tranfield to get up to say good night for the sake of politeness; so she went straight off.