Lemmy goes to the window and unhooks his fiddle; he stands with it halfway to his shoulder.  Suddenly he opens the window and leans out.  A confused murmur of voices is heard; and a snatch of the Marseillaise, sung by a girl.  Then the shuffling tramp of feet, and figures are passing in the street.

Lemmy. [Turning—­excited] Wot’d I tell yer, old lydy?  There it is —­there it is!

Mrs. L. [Placidly] What is?

Lemmy.  The revolution. [He cranes out] They’ve got it on a barrer. 
Cheerio!

Voice. [Answering] Cheerio!

Lemmy. [Leaning out] I sy—­you ‘yn’t tykin’ the body, are yer?

Voice.  Nao.

Lemmy.  Did she die o’ starvytion O.K.?

Voice.  She bloomin’ well did; I know ’er brother.

Lemmy.  Ah!  That’ll do us a bit o’ good!

Voice.  Cheerio!

Lemmy.  So long!

Voice.  So long!

     [The girl’s voice is heard again in the distance singing the
     Marseillaise.  The door is flung open and little Aida comes
     running in again.]

Lemmy.  ’Allo, little Aida!

L. Aida.  ‘Allo, I been follerin’ the corfin.  It’s better than an ’orse dahn!

Mrs. L. What coffin?

L. Aida.  Why, ‘er’s wot died o’ starvytion up the street.  They’re goin’ to tyke it to ’Yde Pawk, and ’oller.

Mrs. L. Well, never yu mind wot they’m goin’ to du:  Yu wait an’ take my trousers like a gude gell.

     [She puts her mug aside and takes up her unfinished pair of
     trousers.  But the wine has entered her fingers, and strength to
     push the needle through is lacking.]

Lemmy. [Tuning his fiddle] Wot’ll yer ’ave, little Aida?  “Dead March in Saul” or “When the fields was white wiv dysies”?

L. Aida. [With a hop and a brilliant smile] Aoh yus!  “When the fields”——­

Mrs. L. [With a gesture of despair] Deary me!  I ’aven’t a-got the strength!

Lemmy.  Leave ’em alone, old dear!  No one’ll be goin’ aht wivaht trahsers to-night ’cos yer leaves that one undone.  Little Aida, fold ’em up!

[Little Aida methodically folds the five finished pairs of trousers into a pile.  Lemmy begins playing.  A smile comes on the face of Mrs. L, who is rubbing her fingers.  Little Aida, trousers over arm, goes and stares at Lemmy playing.]

Lemmy. [Stopping] Little Aida, one o’ vese dyes yer’ll myke an actress.  I can see it in yer fyce!

     [Little Aida looks at him wide-eyed.]

Mrs. L. Don’t ’ee putt things into ’er ’ead, Bob!

Lemmy.  ’Tyn’t ’er ’ead, old lydy—­it’s lower.  She wants feedin’—­ feed ‘er an’ she’ll rise. [He strikes into the “Machichi”] Look at ’er naow.  I tell yer there’s a fortune in ’er.