The Notebooks of Leonardo Da Vinci — Complete eBook

This eBook from the Gutenberg Project consists of approximately 845 pages of information about The Notebooks of Leonardo Da Vinci — Complete.

The Notebooks of Leonardo Da Vinci — Complete eBook

This eBook from the Gutenberg Project consists of approximately 845 pages of information about The Notebooks of Leonardo Da Vinci — Complete.

223.

OF THE DIMINUTION IN PERSPECTIVE OF OPAQUE OBJECTS.

Among opaque objects of equal size the apparent diminution of size will be in proportion to their distance from the eye of the spectator; but it is an inverse proportion, since, where the distance is greater, the opaque body will appear smaller, and the less the distance the larger will the object appear.  And this is the fundamental principle of linear perspective and it follows:—­[11]every object as it becomes more remote loses first those parts which are smallest.  Thus of a horse, we should lose the legs before the head, because the legs are thinner than the head; and the neck before the body for the same reason.  Hence it follows that the last part of the horse which would be discernible by the eye would be the mass of the body in an oval form, or rather in a cylindrical form and this would lose its apparent thickness before its length—­according to the 2nd rule given above, &c. [Footnote 23:  Compare line 11.].

If the eye remains stationary the perspective terminates in the distance in a point.  But if the eye moves in a straight [horizontal] line the perspective terminates in a line and the reason is that this line is generated by the motion of the point and our sight; therefore it follows that as we move our sight [eye], the point moves, and as we move the point, the line is generated, &c.

An illustration by experiment.

224.

Every visible body, in so far as it affects the eye, includes three attributes; that is to say:  mass, form and colour; and the mass is recognisable at a greater distance from the place of its actual existence than either colour or form.  Again, colour is discernible at a greater distance than form, but this law does not apply to luminous bodies.

The above proposition is plainly shown and proved by experiment; because:  if you see a man close to you, you discern the exact appearance of the mass and of the form and also of the colouring; if he goes to some distance you will not recognise who he is, because the character of the details will disappear, if he goes still farther you will not be able to distinguish his colouring, but he will appear as a dark object, and still farther he will appear as a very small dark rounded object.  It appears rounded because distance so greatly diminishes the various details that nothing remains visible but the larger mass.  And the reason is this:  We know very well that all the images of objects reach the senses by a small aperture in the eye; hence, if the whole horizon a d is admitted through such an aperture, the object b c being but a very small fraction of this horizon what space can it fill in that minute image of so vast a hemisphere?  And because luminous bodies have more power in darkness than any others, it is evident that, as the chamber of the eye is very dark, as is the nature of all colored cavities, the images of distant objects are confused and lost in the great light of the sky; and if they are visible at all, appear dark and black, as every small body must when seen in the diffused light of the atmosphere.

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The Notebooks of Leonardo Da Vinci — Complete from Project Gutenberg. Public domain.