1510.
On the 10th day of July 1492 in 135
Rhenish florins 1. 445
in dinari of 6 soldi 1. 112 S 16
in dinari of 5 1/2 soldi 1. 29 S 13
9 in gold and 3 scudi 1. 53
-----------------------------
1.
811 in all
1511.
On the first day of February, lire 1200.
1512.
The hall towards the court is 126 paces long and 27 braccia wide.
1513.
The narrow cornice above the hall lire 30.
The cornice beneath that, being one for each picture, lire 7, and for the cost of blue, gold, white, plaster, indigo and glue 3 lire; time 3 days.
The pictures below these mouldings with their pilasters, 12 lire each.
I calculate the cost for smalt, blue and gold and other colours at 1 1/2 lire.
The days I calculate at 3, for the invention of the composition, pilasters and other things.
1514.
Item for each vault 7 lire
outlay for blue and gold 3 1/2
time, 4 days
for the windows 1 1/2
The cornice below the windows 16 soldi per braccio
item for 24 pictures of Roman history 14 lire each
The philosophers 10 lire
the pilasters, one ounce of blue 10 soldi
for gold 15 soldi
Total 2 and 1/2 lire.
1515.
The cornice above lire 30
The cornice below lire 7
The compositions, one with another lire 13
1516.
Salai, 6 lire ... 4 soldi ... 10 soldi for a chain;—
On the l4th of March I had 13 lire S. 4; 16 lire remain.
1517.
How many braccia high is the level of the walls?—
123 braccia
How large is the hall?
How large is the garland?
30 ducats.
On the 29th day of January, 1494
cloth for hose lire 4 S 3
lining S 16
making S 8
to Salai S 3
a jasper ring S 13
a sparkling stone S 11
to Caterina S 10
to Caterina S 10
1518.
The wheel lire 7
the tire lire 10
the shield lire 4
the cushion lire 8
the ends of the axle-tree lire 2
bed and frame lire 30
conduit lire 10
S.K.M.II.2 4a]
1519.
Parsley 10 parts
mint 1 part
thyme 1 part
Vinegar ... and a little salt two pieces of canvas for Salai.
[Footnote: This note, of about the year 1494, is the earliest mention of Salai, and the last is of the year 1513 (see No. 1465, 3). From the various notes in the MSS. he seems to have been Leonardo’s assistant and keeper only, and scarcely himself a painter. At any rate no signed or otherwise authenticated picture by him is known to exist. Vasari speaks somewhat doubtfully on this point.]