The Notebooks of Leonardo Da Vinci — Volume 1 eBook

This eBook from the Gutenberg Project consists of approximately 360 pages of information about The Notebooks of Leonardo Da Vinci — Volume 1.

The Notebooks of Leonardo Da Vinci — Volume 1 eBook

This eBook from the Gutenberg Project consists of approximately 360 pages of information about The Notebooks of Leonardo Da Vinci — Volume 1.
the atmosphere assumes this azure hue by reason of the particles of moisture which catch the rays of the sun.  Again, we may note the difference in particles of dust, or particles of smoke, in the sun beams admitted through holes into a dark chamber, when the former will look ash grey and the thin smoke will appear of a most beautiful blue; and it may be seen again in in the dark shadows of distant mountains when the air between the eye and those shadows will look very blue, though the brightest parts of those mountains will not differ much from their true colour.  But if any one wishes for a final proof let him paint a board with various colours, among them an intense black; and over all let him lay a very thin and transparent [coating of] white.  He will then see that this transparent white will nowhere show a more beautiful blue than over the black—­but it must be very thin and finely ground.

[Footnote 7:  reta here has the sense of malanno.]

301.

Experience shows us that the air must have darkness beyond it and yet it appears blue.  If you produce a small quantity of smoke from dry wood and the rays of the sun fall on this smoke, and if you then place behind the smoke a piece of black velvet on which the sun does not shine, you will see that all the smoke which is between the eye and the black stuff will appear of a beautiful blue colour.  And if instead of the velvet you place a white cloth smoke, that is too thick smoke, hinders, and too thin smoke does not produce, the perfection of this blue colour.  Hence a moderate amount of smoke produces the finest blue.  Water violently ejected in a fine spray and in a dark chamber where the sun beams are admitted produces these blue rays and the more vividly if it is distilled water, and thin smoke looks blue.  This I mention in order to show that the blueness of the atmosphere is caused by the darkness beyond it, and these instances are given for those who cannot confirm my experience on Monboso.

302.

When the smoke from dry wood is seen between the eye of the spectator and some dark space [or object], it will look blue.  Thus the sky looks blue by reason of the darkness beyond it.  And if you look towards the horizon of the sky, you will see the atmosphere is not blue, and this is caused by its density.  And thus at each degree, as you raise your eyes above the horizon up to the sky over your head, you will see the atmosphere look darker [blue] and this is because a smaller density of air lies between your eye and the [outer] darkness.  And if you go to the top of a high mountain the sky will look proportionately darker above you as the atmosphere becomes rarer between you and the [outer] darkness; and this will be more visible at each degree of increasing height till at last we should find darkness.

That smoke will look bluest which rises from the driest wood and which is nearest to the fire and is seen against the darkest background, and with the sunlight upon it.

Copyrights
Project Gutenberg
The Notebooks of Leonardo Da Vinci — Volume 1 from Project Gutenberg. Public domain.