The Notebooks of Leonardo Da Vinci — Volume 1 eBook

This eBook from the Gutenberg Project consists of approximately 360 pages of information about The Notebooks of Leonardo Da Vinci — Volume 1.

The Notebooks of Leonardo Da Vinci — Volume 1 eBook

This eBook from the Gutenberg Project consists of approximately 360 pages of information about The Notebooks of Leonardo Da Vinci — Volume 1.

I say that the blueness we see in the atmosphere is not intrinsic colour, but is caused by warm vapour evaporated in minute and insensible atoms on which the solar rays fall, rendering them luminous against the infinite darkness of the fiery sphere which lies beyond and includes it.  And this may be seen, as I saw it by any one going up [Footnote 5:  With regard to the place spoken of as M’oboso (compare No. 301 line 20) its identity will be discussed under Leonardo’s Topographical notes in Vol.  II.] Monboso, a peak of the Alps which divide France from Italy.  The base of this mountain gives birth to the four rivers which flow in four different directions through the whole of Europe.  And no mountain has its base at so great a height as this, which lifts itself almost above the clouds; and snow seldom falls there, but only hail in the summer, when the clouds are highest.  And this hail lies [unmelted] there, so that if it were not for the absorption of the rising and falling clouds, which does not happen twice in an age, an enormous mass of ice would be piled up there by the hail, and in the middle of July I found it very considerable.  There I saw above me the dark sky, and the sun as it fell on the mountain was far brighter here than in the plains below, because a smaller extent of atmosphere lay between the summit of the mountain and the sun.  Again as an illustration of the colour of the atmosphere I will mention the smoke of old and dry wood, which, as it comes out of a chimney, appears to turn very blue, when seen between the eye and the dark distance.  But as it rises, and comes between the eye and the bright atmosphere, it at once shows of an ashy grey colour; and this happens because it no longer has darkness beyond it, but this bright and luminous space.  If the smoke is from young, green wood, it will not appear blue, because, not being transparent and being full of superabundant moisture, it has the effect of condensed clouds which take distinct lights and shadows like a solid body.  The same occurs with the atmosphere, which, when overcharged with moisture appears white, and the small amount of heated moisture makes it dark, of a dark blue colour; and this will suffice us so far as concerns the colour of the atmosphere; though it might be added that, if this transparent blue were the natural colour of the atmosphere, it would follow that wherever a larger mass air intervened between the eye and the element of fire, the azure colour would be more intense; as we see in blue glass and in sapphires, which are darker in proportion as they are larger.  But the atmosphere in such circumstances behaves in an opposite manner, inasmuch as where a greater quantity of it lies between the eye and the sphere of fire, it is seen much whiter.  This occurs towards the horizon.  And the less the extent of atmosphere between the eye and the sphere of fire, the deeper is the blue colour, as may be seen even on low plains.  Hence it follows, as I say, that

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The Notebooks of Leonardo Da Vinci — Volume 1 from Project Gutenberg. Public domain.