The Notebooks of Leonardo Da Vinci — Volume 1 eBook

This eBook from the Gutenberg Project consists of approximately 360 pages of information about The Notebooks of Leonardo Da Vinci — Volume 1.

The Notebooks of Leonardo Da Vinci — Volume 1 eBook

This eBook from the Gutenberg Project consists of approximately 360 pages of information about The Notebooks of Leonardo Da Vinci — Volume 1.

OF LIGHT AND SHADE.

Every portion of the surface of a body is varied [in hue] by the [reflected] colour of the object that may be opposite to it.

EXAMPLE.

If you place a spherical body between various objects that is to say with [direct] sunlight on one side of it, and on the other a wall illuminated by the sun, which wall may be green or of any other colour, while the surface on which it is placed may be red, and the two lateral sides are in shadow, you will see that the natural colour of that body will assume something of the hue reflected from those objects.  The strongest will be [given by] the luminous body; the second by the illuminated wall, the third by the shadows.  There will still be a portion which will take a tint from the colour of the edges.

268.

The surface of every opaque body is affected by the colour of the objects surrounding it.  But this effect will be strong or weak in proportion as those objects are more or less remote and more or less strongly [coloured].

269.

OF PAINTING.

The surface of every opaque body assumes the hues reflected from surrounding objects.

The surface of an opaque body assumes the hues of surrounding objects more strongly in proportion as the rays that form the images of those objects strike the surface at more equal angles.

And the surface of an opaque body assumes a stronger hue from the surrounding objects in proportion as that surface is whiter and the colour of the object brighter or more highly illuminated.

270.

OF THE RAYS WHICH CONVEY THROUGH THE AIR THE IMAGES OF OBJECTS.

All the minutest parts of the image intersect each other without interfering with each other.  To prove this let r be one of the sides of the hole, opposite to which let s be the eye which sees the lower end o of the line n o.  The other extremity cannot transmit its image to the eye s as it has to strike the end r and it is the same with regard to m at the middle of the line.  The case is the same with the upper extremity n and the eye u.  And if the end n is red the eye u on that side of the holes will not see the green colour of o, but only the red of n according to the 7th of this where it is said:  Every form projects images from itself by the shortest line, which necessarily is a straight line, &c.

[Footnote:  13.  This probably refers to the diagram given under No. 66.]

271.

OF PAINTING.

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The Notebooks of Leonardo Da Vinci — Volume 1 from Project Gutenberg. Public domain.