The Notebooks of Leonardo Da Vinci — Volume 1 eBook

This eBook from the Gutenberg Project consists of approximately 360 pages of information about The Notebooks of Leonardo Da Vinci — Volume 1.

The Notebooks of Leonardo Da Vinci — Volume 1 eBook

This eBook from the Gutenberg Project consists of approximately 360 pages of information about The Notebooks of Leonardo Da Vinci — Volume 1.

114.

OF PAINTING.

This is another section:  that is, of the nature of a reflection (from) an object placed between the eye and the light under various aspects.

115.

OF PAINTING.

As regards all visible objects 3 things must be considered.  These are the position of the eye which sees:  that of the object seen [with regard] to the light, and the position of the light which illuminates the object, b is the eye, a the object seen, c the light, a is the eye, b the illuminating body, c is the illuminated object.

116.

Let a be the light, b the eye, c the object seen by the eye and in the light.  These show, first, the eye between the light and the body; the 2nd, the light between the eye and the body; the 3rd the body between the eye and the light, a is the eye, b the illuminated object, c the light.

117.

OF PAINTING.

OF THE THREE KINDS OF LIGHT THAT ILLUMINATE OPAQUE BODIES.

The first kind of Light which may illuminate opaque bodies is called Direct light—­as that of the sun or any other light from a window or flame.  The second is Diffused [universal] light, such as we see in cloudy weather or in mist and the like.  The 3rd is Subdued light, that is when the sun is entirely below the horizon, either in the evening or morning.

118.

OF LIGHT.

The lights which may illuminate opaque bodies are of 4 kinds.  These are:  diffused light as that of the atmosphere, within our horizon.  And Direct, as that of the sun, or of a window or door or other opening.  The third is Reflected light; and there is a 4th which is that which passes through [semi] transparent bodies, as linen or paper or the like, but not transparent like glass, or crystal, or other diaphanous bodies, which produce the same effect as though nothing intervened between the shaded object and the light that falls upon it; and this we will discuss fully in our discourse.

Definition of the nature of shadows (119—­122).

119.

WHAT LIGHT AND SHADOW ARE.

Shadow is the absence of light, merely the obstruction of the luminous rays by an opaque body.  Shadow is of the nature of darkness.  Light [on an object] is of the nature of a luminous body; one conceals and the other reveals.  They are always associated and inseparable from all objects.  But shadow is a more powerful agent than light, for it can impede and entirely deprive bodies of their light, while light can never entirely expel shadow from a body, that is from an opaque body.

120.

Shadow is the diminution of light by the intervention of an opaque body.  Shadow is the counterpart of the luminous rays which are cut off by an opaque body.

This is proved because the shadow cast is the same in shape and size as the luminous rays were which are transformed into a shadow.

Copyrights
Project Gutenberg
The Notebooks of Leonardo Da Vinci — Volume 1 from Project Gutenberg. Public domain.