The Notebooks of Leonardo Da Vinci — Volume 1 eBook

This eBook from the Gutenberg Project consists of approximately 360 pages of information about The Notebooks of Leonardo Da Vinci — Volume 1.

The Notebooks of Leonardo Da Vinci — Volume 1 eBook

This eBook from the Gutenberg Project consists of approximately 360 pages of information about The Notebooks of Leonardo Da Vinci — Volume 1.

90.

SIMPLE PERSPECTIVE.

Simple perspective is that which is constructed by art on a vertical plane which is equally distant from the eye in every part.  Complex perspective is that which is constructed on a ground-plan in which none of the parts are equally distant from the eye.

91.

PERSPECTIVE.

No surface can be seen exactly as it is, if the eye that sees it is not equally remote from all its edges.

92.

WHY WHEN AN OBJECT IS PLACED CLOSE TO THE EYE ITS EDGES ARE
INDISTINCT.

When an object opposite the eye is brought too close to it, its edges must become too confused to be distinguished; as it happens with objects close to a light, which cast a large and indistinct shadow, so is it with an eye which estimates objects opposite to it; in all cases of linear perspective, the eye acts in the same way as the light.  And the reason is that the eye has one leading line (of vision) which dilates with distance and embraces with true discernment large objects at a distance as well as small ones that are close.  But since the eye sends out a multitude of lines which surround this chief central one and since these which are farthest from the centre in this cone of lines are less able to discern with accuracy, it follows that an object brought close to the eye is not at a due distance, but is too near for the central line to be able to discern the outlines of the object.  So the edges fall within the lines of weaker discerning power, and these are to the function of the eye like dogs in the chase which can put up the game but cannot take it.  Thus these cannot take in the objects, but induce the central line of sight to turn upon them, when they have put them up.  Hence the objects which are seen with these lines of sight have confused outlines.

The relative size of objects with regard to their distance from the eye (93-98).

93.

PERSPECTIVE.

Small objects close at hand and large ones at a distance, being seen within equal angles, will appear of the same size.

94.

PERSPECTIVE.

There is no object so large but that at a great distance from the eye it does not appear smaller than a smaller object near.

95.

Among objects of equal size that which is most remote from the eye will look the smallest. [Footnote:  This axiom, sufficiently clear in itself, is in the original illustrated by a very large diagram, constructed like that here reproduced under No. 108.

The same idea is repeated in C. A. I a; I a, stated as follows:  Infra le cose d’equal grandeza quella si dimostra di minor figura che sara piu distante dall’ ochio.—­]

96.

Why an object is less distinct when brought near to the eye, and why with spectacles, or without the naked eye sees badly either close or far off [as the case may be].

97.

Copyrights
Project Gutenberg
The Notebooks of Leonardo Da Vinci — Volume 1 from Project Gutenberg. Public domain.