The Notebooks of Leonardo Da Vinci — Volume 1 eBook

This eBook from the Gutenberg Project consists of approximately 360 pages of information about The Notebooks of Leonardo Da Vinci — Volume 1.

The Notebooks of Leonardo Da Vinci — Volume 1 eBook

This eBook from the Gutenberg Project consists of approximately 360 pages of information about The Notebooks of Leonardo Da Vinci — Volume 1.

[Footnote:  This chapter is already known through a translation into French by VENTURI.  Compare his ’Essai sur les ouvrages physico-mathematiques de L. da Vinci avec des fragments tires de ses Manuscrits, apportes de l’Italie.  Lu a la premiere classe de l’Institut national des Sciences et Arts.’  Paris, An V (1797).]

The practice of perspective (72. 73).

72.

In the practice of perspective the same rules apply to light and to the eye.

73.

The object which is opposite to the pupil of the eye is seen by that pupil and that which is opposite to the eye is seen by the pupil.

Refraction of the rays falling upon the eye (74. 75)

74.

The lines sent forth by the image of an object to the eye do not reach the point within the eye in straight lines.

75.

If the judgment of the eye is situated within it, the straight lines of the images are refracted on its surface because they pass through the rarer to the denser medium.  If, when you are under water, you look at objects in the air you will see them out of their true place; and the same with objects under water seen from the air.

The intersection of the rays (76-82).

76.

The inversion of the images.

All the images of objects which pass through a window [glass pane] from the free outer air to the air confined within walls, are seen on the opposite side; and an object which moves in the outer air from east to west will seem in its shadow, on the wall which is lighted by this confined air, to have an opposite motion.

77.

THE PRINCIPLE ON WHICH THE IMAGES OF BODIES PASS IN BETWEEN THE
MARGINS OF THE OPENINGS BY WHICH THEY ENTER.

What difference is there in the way in which images pass through narrow openings and through large openings, or in those which pass by the sides of shaded bodies?  By moving the edges of the opening through which the images are admitted, the images of immovable objects are made to move.  And this happens, as is shown in the 9th which demonstrates:  [Footnote 11:  per la 9a che dicie.  When Leonardo refers thus to a number it serves to indicate marginal diagrams; this can in some instances be distinctly proved.  The ninth sketch on the page W. L. 145 b corresponds to the middle sketch of the three reproduced.] the images of any object are all everywhere, and all in each part of the surrounding air.  It follows that if one of the edges of the hole by which the images are admitted to a dark chamber is moved it cuts off those rays of the image that were in contact with it and gets nearer to other rays which previously were remote from it &c.

OF THE MOVEMENT OF THE EDGE AT THE RIGHT OR LEFT, OR THE UPPER, OR
LOWER EDGE.

If you move the right side of the opening the image on the left will move [being that] of the object which entered on the right side of the opening; and the same result will happen with all the other sides of the opening.  This can be proved by the 2nd of this which shows:  all the rays which convey the images of objects through the air are straight lines.  Hence, if the images of very large bodies have to pass through very small holes, and beyond these holes recover their large size, the lines must necessarily intersect.

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The Notebooks of Leonardo Da Vinci — Volume 1 from Project Gutenberg. Public domain.