Op. 70.  Trois Valses [G flat major (1835), F minor (1843), and D flat major (1830).]—­Vol.  I., pp. 128, 200 (No. 3).

Op. 71.  Trois Polonaises [D minor (1827), B flat major (1828), and F minor (1829).]—­Vol.  I., pp. 62 (Nos. 1 and 2), 112, 121 (Nos. 1, 2, and 3), 129 (No. 3).

Op. 72.  Nocturne [E minor (1827)]; Marche funebre [C minor (1829)]; et Trois Ecossaises [D major, G major, and D flat major (1830)].—­ Vol.  I., pp. 62, 112, 121 (No. 1); 112, 123 (No. 2); 202 (No. 3).

Op. 73.  Rondeau [C major] pour deux
pianos (1828).—­Vol.  I., pp. 62,
112, 116.

Op. 74.  Seventeen Polish Songs by Witwicki, Mickiewicz, Zaleski, &c., for voice with pianoforte accompaniment.  The German translation by Ferd.  Gumbert. [The English translation of Stanley Lucas, Weber & Co.’s English edition is by the Rev. J. Troutbeck.]—­Vol.  II., p. 271-272.

IV.—­Works published without opus numbers
after the composer’s death.

[May, Variations [E major] pour le piano C. Haslinger.
1851.] stir un air allemand. (1824?) S. Richault.
             [although not published till 1851,
             this composition was already in 1830
             in T. Haslinger’s hands).—­Vol.  I.: 
             pp. 53, 55, 56.

Mazurka [G major]. (1825.)—­Vol.  I., J. Leitgeber.
p. 52; II., 236.  Gebethner &
Wolff. 
Mazurka [B flat major (1825)].—­Vol. 
I., p. 52; II., 236.

Mazurka [D major (1829-30)].—­Vol. 
I., PP—­202-203; II., 236.

Mazurka [D major (1832.—­A remodelling of the preceding Mazurka)].—­Vol.  I., pp. 202-203; II., 236.

Mazurka [C major (1833)].—­Vol.  II., Gebethner &
p. 236.  Wolff.

Mazurka [A minor.  Dediee a son ami Bote & Bock. 
Emile Gail’ard.—­Vol.  II, p. 236.

1858.  Valse [E minor].—­Vol.  II., p. 251.  B. Schott’s
          
                                         Sohne. 
          
                                         Gebethner &
          
                                         Wolff.

1864.  Polonaise [G sharp minor].  Dediee B. Schott’s
             a Mme. Dupont.—­Vol.  I., p. 52 (see Sohne.
             also Corrections and Additions, Vol.  Gebethner &
             I., p.  VIII.  Wolff.

1872.  Polonaise [G flat major].  Nothing B. Schott’s
             but the composer’s autograph could Sohne.
             convince one of the genuineness of
             this piece.  There are here and there
             passages which have the Chopin ring,
             indeed, seem to be almost bodily