Frederick Chopin, as a Man and Musician — Volume 2 eBook

This eBook from the Gutenberg Project consists of approximately 526 pages of information about Frederick Chopin, as a Man and Musician — Volume 2.

Frederick Chopin, as a Man and Musician — Volume 2 eBook

This eBook from the Gutenberg Project consists of approximately 526 pages of information about Frederick Chopin, as a Man and Musician — Volume 2.
impress; for its laws recall an aristocratic republic with a disposition to anarchy, flowing less from the character of the people than from its particular legislation.  In the olden times the polonaise was a kind of solemn ceremony.  The king, holding by the hand the most distinguished personage of the assembly, marched at the head of a numerous train of couples composed of men alone:  this dance, made more effective by the splendour of the chivalrous costumes, was only, strictly speaking, a triumphal march.
If a lady was the object of the festival, it was her privilege to open the march, holding by the hand another lady.  All the others followed until the queen of the ball, having offered her hand to one of the men standing round the room, induced the other ladies to follow her example.
The ordinary polonaise is opened by the most distinguished person of the gathering, whose privilege it is to conduct the whole file of the dancers or to break it up.  This is called in Polish rey wodzic, figuratively, to be the leader, in some sort the king (from the Latin rex).  To dance at the head was also called to be the marshal, on account of the privileges of a marshal at the Diets.  The whole of this form is connected with the memories and customs of raising the militia (pospolite), or rather of the gathering of the national assemblies in Poland.  Hence, notwithstanding the deference paid to the leaders, who have the privilege of conducting at will the chain of dancers, it is allowable, by a singular practice made into a law, to dethrone a leader every time any bold person calls out odbiianego, which means retaken by force or reconquered; he who pronounces this word is supposed to wish to reconquer the hand of the first lady and the direction of the dance; it is a kind of act of liberum veto, to which everyone is obliged to give way.  The leader then abandons the hand of his lady to the new pretender; every cavalier dances with the lady of the following couple, and it is only the cavalier of the last couple who finds himself definitively ousted if he has not the boldness to insist likewise upon his privilege of equality by demanding odbiianego, and placing himself at the head.
But as a privilege of this nature too often employed would throw the whole ball into complete anarchy, two means are established to obviate this abuse—­namely, the leader makes use of his right to terminate the polonaise, in imitation of a king or marshal dissolving a Diet, or else, according to the predominating wish, all the cavaliers leave the ladies alone in the middle, who then choose new partners and continue the dance, excluding the disturbers and discontented, which recalls the confederations employed for the purpose of making the will of the majority prevail.
The polonaise breathes and paints the whole national character; the music of this dance, while admitting much art, combines something martial
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Frederick Chopin, as a Man and Musician — Volume 2 from Project Gutenberg. Public domain.