even her flowers, were neglected, and Saunders not only mourned over, but began to mutiny against, the labour for which he now scarce received thanks.  These new pleasures became gradually enhanced by sharing them with one of a kindred taste.  Edward’s readiness to comment, to recite, to explain difficult passages, rendered his assistance invaluable; and the wild romance of his spirit delighted a character too young and inexperienced to observe its deficiencies.  Upon subjects which interested him, and when quite at ease, he possessed that flow of natural, and somewhat florid eloquence, which has been supposed as powerful even as figure, fashion, fame, or fortune, in winning the female heart.  There was, therefore, an increasing danger in this constant intercourse to poor Rose’s peace of mind, which was the more imminent as her father was greatly too much abstracted in his studies, and wrapped up in his own dignity, to dream of his daughter’s incurring it.  The daughters of the house of Bradwardine were, in his opinion, like those of the house of Bourbon or Austria, placed high above the clouds of passion which might obfuscate the intellects of meaner females; they moved in another sphere, were governed by other feelings, and amenable to other rules than those of idle and fantastic affection.  In short, he shut his eyes so resolutely to the natural consequences of Edward’s intimacy with Miss Bradwardine, that the whole neighbourhood concluded that he had opened them to the advantages of a match between his daughter and the wealthy young Englishman, and pronounced him much less a fool than he had generally shown himself in cases where his own interest was concerned.

If the Baron, however, had really meditated such an alliance, the indifference of Waverley would have been an insuperable bar to his project.  Our hero, since mixing more freely with the world, had learned to think with great shame and confusion upon his mental legend of Saint Cecilia, and the vexation of these reflections was likely, for some time at least, to counterbalance the natural susceptibility of his disposition.  Besides, Rose Bradwardine, beautiful and amiable as we have described her, had not precisely the sort of beauty or merit which captivates a romantic imagination in early youth.  She was too frank, too confiding, too kind; amiable qualities, undoubtedly, but destructive of the marvellous, with which a youth of imagination delights to dress the empress of his affections.  Was it possible to bow, to tremble, and to adore, before the timid, yet playful little girl, who now asked Edward to mend her pen, now to construe a stanza in Tasso, and now how to spell a very—­very long word in her version of it?  All these incidents have their fascination on the mind at a certain period of life, but not when a youth is entering it, and rather looking out for some object whose affection may dignify him in his own eyes than stooping to one who looks up to him for such distinction.  Hence,