And after all, O, shame and
grief!
To use some worse than murd’ring
thief,
Their very gentleman and chief,
Unhumanly!
Like Popish tortures, I believe,
Such
cruelty.
Ev’n what was act on
open stage
At Carlisle, in the hottest
rage,
When mercy was clapt in a
cage,
And
pity dead,
Such cruelty approv’d
by every age,
I
shook my head.
So many to curse, so few to
pray,
And some aloud huzza did cry;
They cursed the rebel Scots
that day,
As
they’d been nowt
Brought up for slaughter,
as that way
Too
many rowt.
Therefore, alas! dear countrymen,
O never do the like again,
To thirst for vengeance, never
ben’
Your
gun nor pa’,
But with the English e’en
borrow and len’,
Let
anger fa’.
Their boasts and bullying,
not worth a louse,
As our King’s the best
about the house.
’T is ay good to be
sober and douce,
To
live in peace;
For many, I see, for being
o’er crouse,
Gets
broken face.
WAVERLEY
OR ’TIS SIXTY YEARS SINCE
CHAPTER I
INTRODUCTORY
The title of this work has not been chosen without the grave and solid deliberation which matters of importance demand from the prudent. Even its first, or general denomination, was the result of no common research or selection, although, according to the example of my predecessors, I had only to seize upon the most sounding and euphonic surname that English history or topography affords, and elect it at once as the title of my work and the name of my hero. But, alas! what could my readers have expected from the chivalrous epithets of Howard, Mordaunt, Mortimer, or Stanley, or from the softer and more sentimental sounds of Belmour, Belville, Belfield, and Belgrave, but pages of inanity, similar to those which have been so christened for half a century past? I must modestly admit I am too diffident of my own merit to place it in unnecessary opposition to preconceived associations; I have, therefore, like a maiden knight with his white shield, assumed for my hero, Waverley, an uncontaminated name, bearing with its sound little of good or evil, excepting what the reader shall hereafter be pleased to affix to it. But my second or supplemental title was a matter of much more difficult election, since that, short as it is, may be held as pledging the author to some special mode of laying his scene, drawing his characters, and managing his adventures. Had I, for example, announced in my frontispiece,