Other illustrations of Waverley will be found in the Notes at the foot of the pages to which they belong.  Those which appeared too long to be so placed are given at the end of the chapters to which they severally relate. [Footnote:  In this edition at the end of the several volumes.]

PREFACE TO THE THIRD EDITION

To this slight attempt at a sketch of ancient Scottish manners the public have been more favourable than the Author durst have hoped or expected.  He has heard, with a mixture of satisfaction and humility, his work ascribed to more than one respectable name.  Considerations, which seem weighty in his particular situation, prevent his releasing those gentlemen from suspicion by placing his own name in the title-page; so that, for the present at least, it must remain uncertain whether Waverley be the work of a poet or a critic, a lawyer or a clergyman, or whether the writer, to use Mrs. Malaprop’s phrase, be, ’like Cerberus, three gentlemen at once.’  The Author, as he is unconscious of anything in the work itself (except perhaps its frivolity) which prevents its finding an acknowledged father, leaves it to the candour of the public to choose among the many circumstances peculiar to different situations in life such as may induce him to suppress his name on the present occasion.  He may be a writer new to publication, and unwilling to avow a character to which he is unaccustomed; or he may be a hackneyed author, who is ashamed of too frequent appearance, and employs this mystery, as the heroine of the old comedy used her mask, to attract the attention of those to whom her face had become too familiar.  He may be a man of a grave profession, to whom the reputation of being a novel-writer might be prejudicial; or he may be a man of fashion, to whom writing of any kind might appear pedantic.  He may be too young to assume the character of an author, or so old as to make it advisable to lay it aside.

The Author of Waverley has heard it objected to this novel, that, in the character of Callum Beg and in the account given by the Baron of Bradwardine of the petty trespasses of the Highlanders upon trifling articles of property, he has borne hard, and unjustly so, upon their national character.  Nothing could be farther from his wish or intention.  The character of Callum Beg is that of a spirit naturally turned to daring evil, and determined, by the circumstances of his situation, to a particular species of mischief.  Those who have perused the curious Letters from the Highlands, published about 1726, will find instances of such atrocious characters which fell under the writer’s own observation, though it would be most unjust to consider such villains as representatives of the Highlanders of that period, any more than the murderers of Marr and Williamson can be supposed to represent the English of the present day.  As for the plunder supposed to have been picked up by some