When the weary soldier—broken in health,
wounded and harassed with obtaining triumphs for his
master such as no other living man could have gained
with the means placed at his disposal—returned
to drink the waters, previously to setting forth anew
upon the task of achieving the impossible, he was
made the mark of petty insults on the part of both
the Mansfelds. Neither of them paid their respects
to him; ill as he was, until four days after his arrival.
When the duke subsequently called a council; Count
Peter refused to attend it on account of having slept
ill the night before. Champagny; who was one of,
the chief mischief-makers, had been banished by Parma
to his house in Burgundy. He became very much
alarmed, and was afraid of losing his head. He
tried to conciliate the duke, but finding it difficult
he resolved to turn monk, and so went to the convent
of Capuchins, and begged hard to be admitted a member.
They refused him on account of his age and infirmities.
He tried a Franciscan monastery with not much better
success, and then obeyed orders and went to his Burgundy
mansion; having been assured by Farnese that he was
not to lose his head. Alexander was satisfied
with that arrangement, feeling sure, he said, that
so soon as his back was turned Champagny would come
out of his convent before the term of probation had
expired, and begin to make mischief again. A once
valiant soldier, like Champagny, whose conduct in the
famous “fury of Antwerp” was so memorable;
and whose services both in field and-cabinet had,
been so distinguished, fallen so low as to, be used
as a tool by the Mansfelds against a man like Farnese;
and to be rejected as unfit company by Flemish friars,
is not a cheerful spectacle to contemplate.
The walls of the Mansfeld house and gardens, too,
were decorated by Count Charles with caricatures,
intending to illustrate the indignities put upon his
father: and himself.
Among others, one picture represented Count Peter
lying tied hand and foot, while people were throwing
filth upon him; Count Charles being pourtrayed as
meantime being kicked away from the command of a battery
of cannon by, De la Motte. It seemed strange
that the Mansfelds should, make themselves thus elaborately
ridiculous, in order to irritate Farnese; but thus
it was. There was so much stir, about these works
of art that Alexander transmitted copies of them to
the king, whereupon Charles Mansfeld, being somewhat
alarmed, endeavoured to prove that they had been entirely
misunderstood. The venerable personage lying on
the ground, he explained, was not his father, but
Socrates. He found it difficult however to account
for the appearance of La Motte, with his one arm wanting
and with artillery by his side, because, as Farnese
justly remarked, artillery had not been invented in
the time of Socrates, nor was it recorded that the
sage had lost an arm.