He was a poet of vigour and originality, for he had accomplished what has been achieved by few; he had composed a national hymn, whose strophes, as soon as heard, struck a chord in every Netherland heart, and for three centuries long have rung like a clarion wherever the Netherland tongue is spoken. “Wilhelmus van Nassouwe,” regarded simply as a literary composition, has many of the qualities which an ode demands; an electrical touch upon the sentiments, a throb of patriotism, sympathetic tenderness, a dash of indignation, with rhythmical harmony and graceful expression; and thus it has rung from millions of lips, from generation to generation.
He was a soldier, courageous, untiring, prompt in action, useful in council, and had distinguished himself in many a hard-fought field. Taken prisoner in the sanguinary skirmish at Maaslandssluys, he had been confined a year, and, for more than three months, had never laid his head, as he declared, upon the pillow without commending his soul as for the last time to his Maker, expecting daily the order for his immediate execution, and escaping his doom only because William the Silent proclaimed that the proudest head among the Spanish prisoners should fall to avenge his death; so that he was ultimately exchanged against the veteran Mondragon.
From the incipient stages of the revolt he had been foremost among the patriots. He was supposed to be the author of the famous “Compromise of the Nobles,” that earliest and most conspicuous of the state-papers of the republic, and of many other important political documents; and he had contributed to general literature many works of European celebrity, of which the ‘Roman Bee-Hive’ was the most universally known.