The great movement of emancipation from political and ecclesiastical tyranny had brought with it a general advancement of the human intellect. The foundation of the Leyden university in memory of the heroism displayed by the burghers during the siege was as noble a monument as had ever been raised by a free people jealous of its fame. And the scientific lustre of the university well sustained the nobility of its origin. The proudest nation on earth might be more proud of a seat of learning, founded thus amidst carnage and tears, whence so much of profound learning and brilliant literature had already been diffused. The classical labours of Joseph Scaliger, Heinsius father and son the elder Dousa, almost as famous with his pen in Latin poetry as his sword had made him in the vernacular chronicle; of Dousa the son, whom Grotius called “the crown and flower of all good learning, too soon snatched away by envious death, than whom no man more skilled in poetry, more consummate in acquaintance with ancient science and literature, had ever lived;” of Hugo Grotius himself, who at the age of fifteen had taken his doctor’s degree at Leyden who as a member of Olden-Barneveld’s important legation to France and England very soon afterwards had excited the astonishment of Henry IV. and Elizabeth, who had already distinguished himself by editions of classic poets, and by original poems and dramas in Latin, and was already, although but twenty-six years of age; laying the foundation of that magnificent reputation as a jurist, a philosopher, a historian, and a statesman, which was to be one of the enduring glories of humanity, all these were the precious possessions of the high school of Leyden.
The still more modern university of Franeker, founded amid the din of perpetual warfare in Friesland, could at least boast the name of Arminius, whose theological writings and whose expansive views were destined to exert such influence over his contemporaries and posterity.
The great history of Hoofd, in which the splendid pictures and the impassioned drama of the great war of independence were to be preserved for his countrymen through all time, was not yet written. It was soon afterwards, however, to form not only a chief source of accurate information as to the great events themselves, but a model of style never since surpassed by any prose writer in either branch of the German tongue.
Had Hoofd written for a wider audience, it would be difficult to name a contemporary author of any nation whose work would have been more profoundly studied or more generally admired.