A vision of the conquering Ernest, attended by “eight-and-twenty noble and pleasant females, marching two and two, half naked, each holding a torch in one hand and a laurel-wreath in the other,” now swept before the dreamer’s eyes.”  He naturally requested the “discreet spirit” to mention the names of this bevy of imperfectly attired ladies thronging so lovingly around the fortunate archduke, and was told that “they were the eight-and-twenty virtues which chiefly characterized his serene Highness.”  Prominent in this long list, and they were all faithfully enumerated, were Philosophy, Audacity, Acrimony, Virility, Equity, Piety, Velocity, and Alacrity.”  The two last-mentioned qualities could hardly be attributed to the archduke in his decrepit condition, except in an intensely mythological sense.  Certainly, they would have been highly useful virtues to him at that moment.  The prince who had just taken Gertruydenberg, and was then besieging Groningen, was manifesting his share of audacity, velocity, and other good gifts on even a wider platform than that erected for Ernest by John Baptist Houwaerts; and there was an admirable opportunity for both to develope their respective characteristics for the world’s judgment.

Meantime the impersonation of the gentle and very gouty invalid as Apollo, as Perseus, as the feather-heeled Mercury, was highly applauded by the burghers of Brussels.

And so the dreamer dreamed on, and the discreet nymph continued to discourse, until John Baptist, starting suddenly from his trance beheld that it was all a truth and no vision.  Ernest was really about to enter the Netherlands, and with him the millennium.  The pedant therefore proceeded to his desk, and straightway composed the very worst poem that had ever been written in any language, even Flemish.

There were thousands of lines in it, and not a line without a god or a goddess.

Mars, Nemesis, and Ate, Pluto, Rhadamanthus, and Minos, the Fates and the Furies, together with Charon, Calumnia, Bellona, and all such objectionable divinities, were requested to disappear for ever from the Low Countries; while in their stead were confidently invoked Jupiter, Apollo, Triptolemus, and last, though not least, Rhetorica.

Enough has been said of this raree-show to weary the reader’s patience, but not more than enough to show the docile and enervated nature of this portion of a people who had lost everything for which men cherish their fatherland, but who could still find relief—­after thirty years of horrible civil war in painted pageantry, Latin versification, and the classical dictionary.

Yet there was nothing much more important achieved by the archduke in the brief period for which his administration was destined to endure.  Three phenomena chiefly marked his reign, but his own part in the three was rather a passive than an active one—­mutiny, assassination, and negotiation—­the two last attempted on a considerable scale but ending abortively.