Even Philip, inspired by secret views, became wearied of the Governor, who, at an early period, had already given offence by his arrogance. To commemorate his victories, the Viceroy had erected a colossal statue, not to his monarch, but to himself. To proclaim the royal pardon, he had seated himself upon a golden throne. Such insolent airs could be ill forgiven by the absolute King. Too cautious to provoke an open rupture, he allowed the Governor, after he had done all his work, and more than all his work, to retire without disgrace, but without a triumph. For the sins of that administration, master and servant are in equal measure responsible.
The character of the Duke of Alva, so far as the Netherlands are concerned, seems almost like a caricature. As a creation of fiction, it would seem grotesque: yet even that hardy, historical scepticism, which delights in reversing the judgment of centuries, and in re-establishing reputations long since degraded to the dust, must find it difficult to alter this man’s position. No historical decision is final; an appeal to a more remote posterity, founded upon more accurate evidence, is always valid; but when the verdict has been pronounced upon facts which are undisputed, and upon testimony from the criminal’s lips, there is little chance of a reversal of the sentence. It is an affectation of philosophical candor to extenuate vices which are not only avowed, but claimed as virtues.