(3) NO HOARY PRIESTS AFTER THAT PATRIARCH [L. 245].

The Greek Patriarch, after haying been compelled to fulminate an anathema against the insurgents, was put to death by the Turks.

Fortunately the Greeks have been taught that they cannot buy security by degradation, and the Turks, though equally cruel, are less cunning than the smooth-faced tyrants of Europe.  As to the anathema, his Holiness might as well have thrown his mitre at Mount Athos for any effect that it produced.  The chiefs of the Greeks are almost all men of comprehension and enlightened views on religion and politics.

(4) THE FREEDMAN OF A WESTERN POET-CHIEF [L. 563].

A Greek who had been Lord Byron’s servant commands the insurgents in Attica.  This Greek, Lord Byron informs me, though a poet and an enthusiastic patriot, gave him rather the idea of a timid and unenterprising person.  It appears that circumstances make men what they are, and that we all contain the germ of a degree of degradation or of greatness whose connection with our character is determined by events.

(5) THE GREEKS EXPECT A SAVIOUR FROM THE WEST [L. 598].

It is reported that this Messiah had arrived at a seaport near Lacedaemon in an American brig.  The association of names and ideas is irresistibly ludicrous, but the prevalence of such a rumour strongly marks the state of popular enthusiasm in Greece.

(6) THE SOUND AS OF THE ASSAULT OF AN IMPERIAL CITY [LL. 814-15].

For the vision of Mahmud of the taking of Constantinople in 1453, see Gibbon’s “Decline and Fall of the Roman Empire”, volume 12 page 223.

The manner of the invocation of the spirit of Mahomet the Second will be censured as over subtle.  I could easily have made the Jew a regular conjuror, and the Phantom an ordinary ghost.  I have preferred to represent the Jew as disclaiming all pretension, or even belief, in supernatural agency, and as tempting Mahmud to that state of mind in which ideas may be supposed to assume the force of sensations through the confusion of thought with the objects of thought, and the excess of passion animating the creations of imagination.

It is a sort of natural magic, susceptible of being exercised in a degree by any one who should have made himself master of the secret associations of another’s thoughts.

(7) THE CHORUS [L. 1060].

The final chorus is indistinct and obscure, as the event of the living drama whose arrival it foretells.  Prophecies of wars, and rumours of wars, etc., may safely be made by poet or prophet in any age, but to anticipate however darkly a period of regeneration and happiness is a more hazardous exercise of the faculty which bards possess or feign.  It will remind the reader ‘magno NEC proximus intervallo’ of Isaiah and Virgil, whose ardent spirits overleaping the actual reign of evil which we endure and bewail, already saw the possible and perhaps approaching state of society in which the ’lion shall lie down with the lamb,’ and ‘omnis feret omnia tellus.’  Let these great names be my authority and my excuse.