There were still poker parties occasionally in the Page flat; Emeline was quite familiar with poker phraseology now, and if George seemed less pleased than he had been when she rattled away about hands, the men who came were highly diverted by it.  Two or three other wives generally joined the party now; there would be seven or eight players about the round table.

They all drank as they played, the room would get very warm, and reek of tobacco and of whiskey and beer.  Sometimes Julia woke up with a terrified shout, and then, if Emeline were playing, she would get George, or one of the other men or women, to go in and quiet the little girl.  These games would not break up until two or three o’clock.  Emeline would be playing excitedly, her face flushed, her eyes shining, every fibre of her being alert, when suddenly the life would seem to fade out of the whole game.  An overwhelming ennui would seize her, a cold, clear-eyed fatigue—­ the cards would seem meaningless, a chill would shake her, a need of yawning.  The whole company would be suddenly likewise affected, the game would break up with a few brief words, and Emeline, going in with her guests to help them with hats and wraps, would find herself utterly silent, too cold and weary for even the most casual civilities.  When the others had gone, she and George would turn the lights out on the wreckage of the dining-room, and stagger silently to bed.

Fatigue would follow Emeline well into the next day after one of these card parties.  If George was going out of town, she would send Julia off to play with other children in the house, and lie in bed until noon, getting up now and then to hold a conversation with some tradesman through a crack in the door.  At one she might sally forth in her favourite combination of wrapper and coat to buy cream and rolls, and Julia would be regaled on sausages, hot cakes, bakery cookies, and coffee, or come in to find no lunch at all, and that her mother had gone out for the afternoon.

Emeline had grown more and more infatuated with the theatre and all that pertained to it.  She went to matinees twice a week, and she and her group of intimate friends also “went Dutch” to evening performances whenever it was possible.  Their conversation was spattered with theatrical terms, and when, as occasionally happened, a real actress or even a chorus girl from the Tivoli joined their group, Emeline could hardly contain her eagerness and her admiration.  She loved, when rare chance offered, to go behind the scenes; she frankly envied the egotistic, ambitious young theatrical beginners, so eager to talk of themselves and their talents, to discuss every detail from grease paint to management.  To poor hungry Emeline it was like a revelation of another, brighter world.