Strong as Death eBook

This eBook from the Gutenberg Project consists of approximately 271 pages of information about Strong as Death.

Strong as Death eBook

This eBook from the Gutenberg Project consists of approximately 271 pages of information about Strong as Death.

Along the wide walks, which unroll their massive and artistic curves through grassy lawns, throngs of people, sitting on iron chairs, watch the passers; while in the little paths, deep in shade and winding like streams, groups of children crawl in the sand, run about, or jump the rope under the indolent eyes of nurses or the anxious watchfulness of mothers.  Two enormous trees, rounded into domes, like monuments of leaves, the gigantic horse-chestnuts, whose heavy verdure is lighted up by red and white clusters, the showy sycamores, the graceful plane-trees with their trunks designedly polished, set off in a charming perspective the tall, undulating grass.

The weather was warm, the turtle-doves were cooing among the branches, and flying to meet one another from the tree-tops, while the sparrows bathed in the rainbow formed by the sunshine and the spray thrown over the smooth turf.  White statues on their pedestals seemed happy in the midst of the green freshness.  A little marble boy was drawing from his foot an invisible thorn, as if he had just pricked himself in running after the Diana fleeing toward the little lake, imprisoned by the woods that screened the ruins of a temple.

Other statues, amorous and cold, embraced one another on the borders of the groves, or dreamed there, holding one knee in the hand.  A cascade foamed and rolled over the pretty rocks; a tree, truncated like a column, supported an ivy; a tombstone bore an inscription.  The stone shafts erected on the lawns hardly suggest better the Acropolis than this elegant little park recalled wild forests.  It is the charming and artificial place where city people go to look at flowers grown in hot-houses, and to admire, as one admires the spectacle of life at the theater, that agreeable representation of the beauties of nature given in the heart of Paris.

Olivier Bertin had come almost every day for years to this favorite spot to look at the fair Parisians moving in their appropriate setting.  “It is a park made for toilettes,” he would say; “Badly dressed people are horrible in it.”  He would rove about there for hours, knowing all the plants and all the habitual visitors.

He now strolled beside Annette along the avenues, his eye distracted by the motley and animated crowd in the gardens.

“Oh, the little love!” exclaimed Annette.  She was gazing at a tiny boy with blond curls, who was looking at her with his blue eyes full of surprise and delight.

Then she passed all the children in review, and the pleasure she felt in seeing those living dolls, decked out in their dainty ribbons, made her talkative and communicative.

She walked slowly, chatting to Bertin, giving him her reflections on the children, the nurses, and the mothers.  The larger children drew from her little exclamations of joy, while the little pale ones touched her sympathy.

Bertin listened, more amused by her than by the little ones, and, always remembering his work, he murmured, “That is delicious!” thinking that he must make an exquisite picture, with one corner of this park and a bouquet of nurses, mothers and children.  Why had he never thought of it before?

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Project Gutenberg
Strong as Death from Project Gutenberg. Public domain.