“One instant, one little instant,” pleaded the Count. “There is a surprise: she is just about to come.”
When Madame de Guilleroy, as the bride of a month, had entered society, she was presented to the Duchesse de Mortemain, who loved her immediately, adopted her, and patronized her.
For twenty years this friendship never had diminished, and when the Duchess said, “Ma petite,” one still heard in her voice the tenderness of that sudden and persistent affection. It was at her house that the painter and the Countess had happened to meet.
Musadieu approached the group. “Has the Duchess been to see the exposition of the Intemperates?” he inquired.
“No; what is that?”
“A group of new artists, impressionists in a state of intoxication. Two of them are very fine.”
The great lady murmured, with disdain: “I do not like the jests of those gentlemen.”
Authoritative, brusque, barely tolerating any other opinion than her own, and founding hers solely on the consciousness of her social station, considering, without being able to give a good reason for it, that artists and learned men were merely intelligent mercenaries charged by God to amuse society or to render service to it, she had no other basis for her judgments than the degree of astonishment or of pleasure she experienced at the sight of a thing, the reading of a book, or the recital of a discovery.
Tall, stout, heavy, red, with a loud voice, she passed as having the air of a great lady because nothing embarrassed her; she dared to say anything and patronized the whole world, including dethroned princes, with her receptions in their honor, and even the Almighty by her generosity to the clergy and her gifts to the churches.
“Does the Duchess know,” Musadieu continued, “that they say the assassin of Marie Lambourg has been arrested?”
Her interest was awakened at once.
“No, tell me about it,” she replied.
He narrated the details. Musadieu was tall and very thin; he wore a white waistcoat and little diamond shirt-studs; he spoke without gestures, with a correct air which allowed him to say the daring things which he took delight in uttering. He was very near-sighted, and appeared, notwithstanding his eye-glass, never to see anyone; and when he sat down his whole frame seemed to accommodate itself to the shape of the chair. His figure seemed to shrink into folds, as if his spinal column were made of rubber; his legs, crossed one over the other, looked like two rolled ribbons, and his long arms, resting on the arms of the chair, allowed to droop his pale hands with interminable fingers. His hair and moustache, artistically dyed, with a few white locks cleverly forgotten, were a subject of frequent jests.
While he was explaining to the Duchess that the jewels of the murdered prostitute had been given as a present by the suspected murderer to another girl of the same stamp, the door of the large drawing-room opened wide once more, and two blond women in white lace, a creamy Mechlin, resembling each other like two sisters of different ages, the one a little too mature, the other a little too young, one a trifle too plump, the other a shade too slender, advanced, clasping each other round the waist and smiling.