Work: a Story of Experience eBook

This eBook from the Gutenberg Project consists of approximately 443 pages of information about Work.
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Work: a Story of Experience eBook

This eBook from the Gutenberg Project consists of approximately 443 pages of information about Work.

Having obeyed orders, Lucy initiated her into the mysteries of the place, and then put her in a corner to look over the scenes in which she was to appear.  Christie soon caught the idea of her part,—­not a difficult matter, as there were but few ideas in the whole piece, after which she sat watching the arrival of the troop she was to lead.  A most forlorn band of warriors they seemed, huddled together, and looking as if afraid to speak, lest they should infringe some rule; or to move, lest they be swallowed up by some unsuspected trap-door.

Presently the ballet-master appeared, the orchestra struck up, and Christie found herself marching and counter-marching at word of command.  At first, a most uncomfortable sense of the absurdity of her position oppressed and confused her; then the ludicrous contrast between the solemn anxiety of the troop and the fantastic evolutions they were performing amused her till the novelty wore off; the martial music excited her; the desire to please sharpened her wits; and natural grace made it easy for her to catch and copy the steps and poses given her to imitate.  Soon she forgot herself, entered into the spirit of the thing, and exerted every sense to please, so successfully that Mr. Tripp praised her quickness at comprehension, Lucy applauded heartily from a fairy car, and Mr. Sharp popped his head out of a palace window to watch the Amazon’s descent from the Mountains of the Moon.

When the regular company arrived, the troop was dismissed till the progress of the play demanded their reappearance.  Much interested in the piece, Christie stood aside under a palm-tree, the foliage of which was strongly suggestive of a dilapidated green umbrella, enjoying the novel sights and sounds about her.

Yellow-faced gentlemen and sleepy-eyed ladies roamed languidly about with much incoherent jabbering of parts, and frequent explosions of laughter.  Princes, with varnished boots and suppressed cigars, fought, bled, and died, without a change of countenance.  Damsels of unparalleled beauty, according to the text, gaped in the faces of adoring lovers, and crocheted serenely on the brink of annihilation.  Fairies, in rubber-boots and woollen head-gear, disported themselves on flowery barks of canvas, or were suspended aloft with hooks in their backs like young Hindoo devotees.  Demons, guiltless of hoof or horn, clutched their victims with the inevitable “Ha! ha!” and vanished darkly, eating pea-nuts.  The ubiquitous Mr. Sharp seemed to pervade the whole theatre; for his voice came shrilly from above or spectrally from below, and his active little figure darted to and fro like a critical will-o-the-wisp.

The grand march and chorus in the closing scene were easily accomplished; for, as Lucy bade her, Christie “sung with all her might,” and kept step as she led her band with the dignity of a Boadicea.  No one spoke to her; few observed her; all were intent on their own affairs; and when the final shriek and bang died away without lifting the roof by its din, she could hardly believe that the dreaded first rehearsal was safely over.

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Work: a Story of Experience from Project Gutenberg. Public domain.