Upon the last solemn act of worship at the Mosaic sanctuary immediately follows the building of the temple (i. 18 [ii.1]-vii. 11), 1Kings iii. 10-v. 14 [AV. 34] being passed over. A few little touches are however brought in to show the wealth of Solomon (i. 14-17); they do not occur in Kings until chap. x. (vers. 26-29), and are also repeated in Chronicles (ix. 25 seq.) in this much more appropriate connection (comp. 1Kings iii., LXX). Strictly speaking indeed, David has taken the preparations for the sacred building out of the hands of his successor, but the latter appears not to be satisfied with these (ii. 16 [17]) and looks after them once more (i. 18-ii. 17 [ii. 1-18]). A comparison with Ezra iii. (preparation of the second temple) shows that the story is an elaboration of the author, although suggested by 1Kings v. 16 [2] seq., and with preservation of many verbal reminiscences. While Hiram and Solomon according to the older record are on a footing of equality and make a contract based on reciprocity of service, the Tyrian king is here the vassal of the Israelite, and renders to him what he requires as tribute; instead of as there explaining himself by word of mouth, he here writes a letter in which he not only openly avows his faith in Jehovah the God of Israel, the maker of heaven and earth, but also betrays an extraordinary acquaintance with the Pentateuchal Priestly Code. The brassfounder whom Solomon brings from Tyre (1Kings vii. 13, 14) is (ii. 13) described as a very Daedalus and prodigy of artistic skill, like Bezaleel (Exodus xxxi. 2 seq.); his being made the son of a woman of Dan and not of a widow of Naphtali supplies interpreters with the materials for the construction of a little family romance, 1
****************************************** 1. She was by birth a woman of Dan, married into the tribe of Napthali, lost her husband, and as widow out of the tribe of Naphtali became the wife of the Tyrian. So Bertheau in loc. ***************************************