Title: Memoir of John Lothrop Motley, v3
Author: Oliver Wendell Holmes, Sr.
Edition: 10
Language: English
Character set encoding: ASCII
Release Date: December, 2003 [Etext #4727] [Yes, we are more than one year ahead of schedule] [This file was first posted on March 7, 2002]
The Project Gutenberg Etext of the Memoir of John Lothrop Motley, v3 ********This file should be named oh13v10.txt or oh13v10.zip********
Corrected editions of our etexts get a new number, oh13v11.txt versions based on separate sources get new letter, oh13v10a.txt
Project Gutenberg Etexts are often created from several printed editions, all of which are confirmed as Public Domain in the us unless a copyright notice is included. Thus, we usually do not keep etexts in compliance with any particular paper edition.
The “legal small print” and other information about this book may now be found at the end of this file. Please read this important information, as it gives you specific rights and tells you about restrictions in how the file may be used.
This etext was produced by David Widger widger@cecomet.net
[Note: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author’s ideas before making an entire meal of them. D.W.]
JOHN LOTHROP MOTLEY.
A MEMOIR
By Oliver Wendell Holmes, Sr.
Volume III.
XXII.
1874. AEt. 60.
“Life of John of Barneveld.”—Criticisms.—Groen van Prinsterer.
The full title of Mr. Motley’s next and last work is “The Life and Death of John of Barneveld, Advocate of Holland; with a View of the Primary Causes and Movements of the Thirty Years’ War.”
In point of fact this work is a history rather than a biography. It is an interlude, a pause between the acts which were to fill out the complete plan of the “Eighty Years’ Tragedy,” and of which the last act, the Thirty Years’ War, remains unwritten. The “Life of Barneveld” was received as a fitting and worthy continuation of the series of intellectual labor in which he was engaged. I will quote but two general expressions of approval from the two best known British critical reviews. In connection with his previous works, it forms, says “The London Quarterly,” “a fine and continuous story, of which the writer and the nation celebrated by him have equal reason to be proud; a narrative which will remain a prominent ornament of American genius, while it has permanently enriched English literature on this as well as on the other side of the Atlantic.”