26.  The Simple yet Elegant Furnishings of an Athenian Home.—­These houses, even owned by the lordly rich, are surprisingly simple in their furnishings.  The accumulation of heavy furniture, wall decorations, and bric-a-brac which will characterize the dwellings of a later age, would be utterly offensive to an Athenian—­contradicting all his ideas of harmony and “moderation.”  The Athenian house lacks of course bookcases and framed pictures.  It probably too lacks any genuine closets.  Beds, couches, chairs (usually backless), stools, footstools, and small portable tables,—­these alone seem in evidence.  In place of bureaus, dressers and cupboards, there are huge chests, heavy and carved, in which most of the household gear can be locked away.  In truth, the whole style of Greek household life expresses that simplicity on which we have already commented.  Oriental carpets are indeed met with, but they are often used as wall draperies or couch covers rather than upon the floors.  Greek costume (see p. 43) is so simple that there is small need for elaborate chests of drawers, and a line of pegs upon the wall cares for most of the family wardrobe.

All this is true; yet what furniture one finds is fashioned with commendable grace.  There is a marked absence of heavy and unhealthful upholstery; but the simple bed (four posts sustaining a springless cushion stuffed with feathers or wool) has its woodwork adorned with carving which is a true mean betwixt the too plain and the too ornate; and the whole bed is given an elegant effect by the magnificently embroidered scarlet tapestry which overspreads it.  The lines of the legs of the low wooden tables which are used at the dinner parties will be a lesson (if we have time to study them) upon just proportion and the value of subtle curves.  Moreover, the different household vessels, the stone and bronze lamps, the various table dishes, even the common pottery put to the humblest uses, all have a beauty, a chaste elegance, a saving touch of deft ornamentation, which transforms them out of “kitchen ware” into works of art.  Those black water pots covered with red-clay figures which the serving maids are bearing so carelessly into the scullery at the screaming summons of the cook will be some day perchance the pride of a museum, and teach a later age that costly material and aristocratic uses are not needful to make an article supremely beautiful.

Of course the well-to-do Athenian is proud to possess certain “valuables.”  He will have a few silver cups elegantly chased, and at least one diner’s couch in the andron will be made of rare imported wood, and be inlaid with gilt or silver.  On festival days the house will be hung with brilliant and elaborately wrought tapestries which will suddenly emerge from the great chests.  Also, despite frowns and criticisms, the custom is growing of decorating one’s walls with bright-lined frescoes after the manner of the Agora colonnades.  In the course of a few generations the homes of the wealthier Greeks will come to resemble those of the Romans, such as a later age has resurrected at Pompeii.