eyes.  Flesh-colored warriors are fighting upon a bright red background.  The armor and horse trappings on the sculptures are in actual bronze.  The result is an effect indescribably vivid.  Blues and reds predominate:  the flush of light and color from the still more brilliant heavens above adds to the effect.  Shall we call it garish?  We have learned to know the taste of Athenians too well to doubt their judgment in matters of pure beauty.  And they are right.  Under an Athenian sky temples and statues demand a wealth of color which in a somber clime would seem intolerable.  The brilliant lines of the Acropolis buildings are the just answer of the Athenian to the brilliancy of Helios.

193.  The Chief Buildings on the Acropolis.—­And now to ascend the Acropolis.  We leave the discussion of the details of the temples and the sculpture to the architects and archeologists.  The whole plateau of the Rock is covered with religious buildings, altars, and statues.  We pass through the Propylea, the worthy rival of the Parthenon behind, a magnificent portal, with six splendid Doric columns facing us; and as we go through them, to right and to left open out equally magnificent columned porticoes.[*] As we emerge from the Propylea the whole vision of the sacred plateau bursts upon us simultaneously.  We can notice only the most important of the buildings.  At the southwestern point of the Acropolis on the angle of rock which juts out beyond the Propylea is the graceful little temple of the “Wingless Victory,” built in the Ionic style.  The view commanded by its bastion will become famous throughout the world.  Behind this, nearer the southern side, stands the less important temple of Artemis Brauronia.  Nearer the center and directly before the entrance rises a colossal brazen statue—­“monstrous,” many might call its twenty-six feet of height, save that a master among masters has cast the spell of his genius over it.  This is the famous Athena Promachos,[+] wrought by Phidias out of the spoils of Marathon.  The warrior goddess stands in full armor and rests upon her mighty lance.  The gilded lance tip gleams so dazzlingly we may well believe the tale that sailors use it for a first landmark as they sail up the coast from Cape Sunium.

[*]That to the north was the larger and contained a kind of picture gallery.

[+]Athena Foremost in Battle.

Looking again upon the complex of buildings we single out another on the northern side:  an irregularly shaped temple, or rather several temples joined together, the Erechtheum, wherein is the sanctuary of Athena Polias (the revered “City Warden"), the ancient wooden statue, grotesque, beloved, most sacred of all the holy images in Athens.  And here on the southern side of this building is the famous Caryatid porch; the “Porch of the Maidens,” which will be admired as long as Athens has a name.  But our eyes refuse to linger long on any of these things.  Behind the statue of the Promachos, a little to the southern side of the plateau, stands the Parthenon—­the queen jewel upon the crown of Athens.