to his countrymen by his Works, which have hitherto not been sufficiently known, not extensively enough published, and issued perhaps at a prohibitive price.  Viewing the long list of Works written by him between 1842 and 1890, many of which are still unpublished, I was almost disheartened by the magnitude of the work, until the Publishers, Messrs. Tylston and Edwards, fully appreciating the interest with which the British Public had followed my husband’s adventurous career and fearless enterprise, arranged to produce this uniform Memorial Edition at their own expense.

[p.xvi]Mr. Leonard Smithers, a man of great literary talent and of indefatigable energy, who admired and collaborated with my husband in the traduction of Latin Classics for two years before he died, has also kindly volunteered to be my working assistant and to join with me in the editing.

My part is to give up all my copyrights, and to search out such papers, annotations, and latest notes and corrections, as will form the most complete work; also to write all the Prefaces, and to give every assistance in my power as Editress.

The Memorial Edition commences with the present “Pilgrimage to Al-Madinah and Meccah,” which will be followed at intervals by others of my husband’s works.  Since this “Memorial Edition” was arranged, and the Prospectus issued, I have parted with the Copyright of my husband’s famous translation of the “Arabian Nights” to the Publishers, and they are arranging to bring out that work at an early date, and as nearly as possible uniform in appearance with the Memorial Edition.

The ornamentations on the binding are, a figure of my husband in his Arab costume, his monogram in Arabic, and, on the back of the book, the tent which is his tomb.

Both the publishers and myself have to thank Mr. Smithers for the infinite trouble he has taken in collating the first, second, third and fourth editions of the ‘Pilgrimage’ with Sir Richard’s own original annotated copies.  All the lengthy notes and appendices of the first edition have been retained, and these are supplemented by the notes and appendices in the later editions, as well as by the author’s Ms. notes.  He has adopted Sir Richard’s latest and

[p.xvii]most correct orthography of Arabic words, and has passed the sheets through the press.  Following my husband’s plan in “The Thousand Nights and a Night,” he has put the accents on Arabic words only the first time of their appearance, to show how they ought to be; thinking it unnecessary to preserve throughout, what is an eyesore to the reader and a distress to the printer.  So it is with Arabic books,-the accents are only put for the early student; afterwards, they are left to the practical knowledge of the reader.  All the original coloured illustrations of the first edition, and also the wood engravings of the later issues, are reproduced for the first time in one uniform edition.  The map and plans are fac-similies of those in the latest (fourth) edition.  In fact, everything has been done to make this book worthy of its author and of the public’s appreciation.