The five women reclined on long, low rustic couches in the big, cleared half-oval that was the Playground for their children.  It began — this half-oval — in high land among the trees and spread down over a beach to the waters of a tiny cove.  Between the high tapering boles of the pines at their back the sky dropped a curtain of purple.  Between the long ledges of tawny rock in front the sea stretched a carpet of turquoise.  And between pines and sea lay first a rusty mat of pine-needles, then a, ribbon of purple stones, then a band of glittering sand.  In the air the resinous smell of the pines competed with the salty tang of the ocean.  High up, silver-winged gulls curved and dipped and called their creaking signals.

At the water’s edge four children were playing.  Honey-Boy had waded out waist-deep.  A sturdy, dark, strong-bodied, tiny replica of his father, he stood in an exact reproduction of one of Honey’s poses, his arms folded over his little pouter-pigeon chest, lips pursed, brows frowning, dimples inhibited, gazing into the water.  Just beyond, one foot on the bottom, Peterkin pretended to swim.  Peterkin had an unearthly beauty that was half Clara’s coloring — combination of tawny hair with gray-green eyes — and half Pete’s expression — the look, doubly strange, of the Celt and the genius.  Slender and beautifully formed, graceful, he was in every possible way a contrast to virile little Billy-Boy; he was even elegant; he had the look of a story-book prince.  Far up the beach, cuddled in a warm puddle, naked, sat a fat, redheaded baby, Frank Merrill, junior.  He watched the others intently for a while.  Then breaking into a grin which nearly bisected the face under the fiery thatch, he began an imitative paddle with his pudgy hands and feet.

Flitting hither and yon, hovering one moment at the water’s edge and another at Junior’s side, moving with a capricious will-o’-the-wisp motion that dominated the whole picture, flew Angela.

Beautiful as the other children were, they sank to commonplaces in contrast with Angela.

For Angela was a being of faery.  Her single loose garment, serrated at the edges, knee-length, and armless, left slits at the back for a pair of wings to emerge.  Tiny these wings were, and yet they were perfect in form; they soared above her head, soft, fine, shining, delicate as milkweed-down and of a white that was beginning, near the shoulders, to deepen to a pale rose.  Angela’s little body was as slender as a flower-stem.  Her limbs showed but the faintest of curves, her skin but the faintest of tints.  Almost transparent in the sunlight, she had in the shadow the coloring of the opal, pale rose-pinks and pale violet-blues.  Her hair floated free to her shoulders; and that, more than any other detail, seemed to accent the quality of faery in her personality.  In calm it clung to her head like a pale-gold mist; in breeze it floated away like a pale-gold nimbus.  It seemed as though a shake of her head would send it drifting off — a huge thistle-down of gold.  Her eyes reflected the tint of whatever blue they gazed on, whether it was the frank azure of the sky or the mysterious turquoise of the sea.  And yet their look was strangely intent.  When she passed from shadow to sunshine, the light seemed to dissolve her hair and wing-edges, as though it were gradually taking her to itself.