I will put down for you in laborious prose what if I were an artist I would do in half-a-dozen strokes.  There is a big place near here, Rushton Park.  I was bicycling with Randall past the lodge, blaming the fair summer, like the fisherman in Theocritus, when he asked if I should like to ride through.  The owner, Mr. Payne, is a friend of his, and laid a special injunction on him to go through whenever he liked.  We were at once admitted, and in a moment we were in a Paradise.  Payne is famed for his gardeners, and I think I never saw a more beautiful place of its kind.  The ground undulates very gracefully, and we passed by velvety lawns, huge towering banks of rhododendron all ablaze with flower, exquisite vistas and glades, with a view of far-off hills.  It seemed to me to be an enchanted pleasaunce, like the great Palace in The Princess.  Now and then we could see the huge facade of the house above us, winking through its sunblinds.  There was not a soul to be seen; and this added enormously to the magical charm of the place, as though it were the work of a Genie, not made with hands.  We passed a huge fountain dripping into a blue-tiled pool, over a great cockleshell of marble; then took a path which wound into the wood, all a mist of fresh green, and in a moment we were in a long old-fashioned garden, with winding box hedges, and full of bright flowers.  To the left, where the garden was bordered by the wood, was set a row of big marble urns, grey with age, on high pedestals, all dripping with flowering creepers.  It was very rococo, like an old French picture, but enchanting for all that.  To the right was a long, mellow brick wall, under which stood some old marble statues, weather-stained and soft of hue.  The steady sun poured down on the sweet, bright place, and the scent of the flowers filled the air with fragrance, while a dove, hidden in some green towering tree, roo-hooed delicately, as though her little heart was filled with an indolent contentment.

The statue that stood nearest us attracted my attention.  I cannot conceive what it was meant to represent.  It was the figure of an old, bearded man, with a curious brimless hat on his head, and a flowing robe; in his hands he held and fingered some unaccountable object of a nondescript shape; and he had an unpleasant fixed smile, which he seemed to turn on us, as though he knew a secret connected with the garden which he might not reveal, and which if revealed would fill the hearers with a secret horror.  I do not think that I have often seen a figure which affected me so disagreeably.  He seemed to be saying that within this bright and fragrant place lay some tainted mystery which it were ill to tamper with.  It was as though we opened a door out of some stately corridor, and found a strange, beast-like thing running to and fro in a noble room.

Well, I do not know!  But it seems to me a type of many things, and I doubt not that the wise-hearted patrician, the former owner, who laid out the garden and set the statue in its place, did so with a purpose.  It is for us to see that there lies no taint behind our pleasures; but even if this be not the message, the heart of the mystery, may not the figure stand perhaps for the end, the bitter end, which lies ahead of all, when the lip is silent and the eye shut, and the heart is stilled at last?