one is in the Close, with trees and flowers and green
grass, with quaint Prebendal houses of every style
and date, breathing peace and prosperity. A genial
parson or two pace gravely about; and above you soars
the huge church, with pinnacle and parapet, the jackdaws
cheerily hallooing from the lofty ledges. You
are a little weary of air and sun; you push open the
great door, and you are in the cool, dark nave with
its holy smell; you sit for a little and let the spirit
of the place creep into your mind; you walk hither
and thither, read the epitaphs, mourn with the bereaved,
give thanks for the record of long happy lives, and
glow with mingled pain and admiration for some young
life nobly laid down. The monuments of soldiers,
the sight of dusty banners moving faintly in the slow-stirring
air, always move me inexpressibly; the stir and fury
of war setting hither, like a quiet tide, to find
its last abiding-place. Then there is the choir
to visit. I do not really like the fashion which
now generally prevails of paying a small sum, writing
your name in a book, and being handed over to the
guidance of some verger, a pompous foolish person,
who has learnt his lesson, delivers it like a machine,
and is put out by any casual question. I do not
want to be lectured; I want to wander about, ask a
question if I desire it, and just have pointed out
to me anything of which the interest is not patent
and obvious. The tombs of old knights, the chantries
of silent abbots and bishops, are all very affecting;
they stand for so much hope and love and recollection.
Then sometimes one has a glow at seeing some ancient
and famous piece of history presented to one’s
gaze. The figure of the grim Saxon king, with
his archaic beard and shaven upper-lip, for all the
world like some Calvinistic tradesman; or Edward the
Second, with his weak, handsome face and curly locks;
or the mailed statue of Robert of Normandy, with scarlet
surcoat, starting up like a warrior suddenly aroused.
Such tombs send a strange thrill through one, a thrill
of wonder and pity and awe. What of them now?
Sleepest thou, son of Atreus? Dost thou sleep,
and dream perchance of love and war, of the little
life that seemed so long, and over which the slow
waves of time have flowed? Little by little,
in the holy walls, so charged with faith and tenderness
and wistful love, the pathetic vision of mortality
creeps across the mind, and one loses oneself in a
dream of wonder at the brief days so full of life,
the record left for after time, and the silence of
the grave.
Then, when I have drunk my fill of sweet sights, I love to sit silent, while the great bell hums in the roof, and gathering footsteps of young and old patter through the echoing aisles. There is a hush of expectation. A few quiet worshippers assemble; the western light grows low, and lights spring to life, one after another, in the misty choir. Then murmurs a voice, an Amen rises in full concord, and as it dies away the slumberous thunder of a pedal