That is, I believe, the analysis of the charm of such a scene; the possibility of joy, and permanence, tinged with the pathos that it has no continuance, but rises and falls and fades like a ripple in the stream.

The disillusionment of experience is a very different thing from the pathos of youth; for in youth the very sense of pathos is in itself an added luxury of joy, giving it a delicate beauty which, if it were not so evanescent, it could not possess.

But then comes the real trouble, the heavy anxiety, the illness, the loss; and those things, which looked so romantic in the pages of poets and the scenes of story-writers, turn out not to be romantic at all, but frankly and plainly disagreeable and intolerable things.  The boy who swept down the shining reaches with long, deft strokes becomes a man—­money runs short, his children give him anxiety, his wife becomes ailing and fretful, he has a serious illness; and when after a day of pain he limps out in the afternoon to the shadow of the old plane-tree, he must be a very wise and tranquil and patient man, if he can still feel to the full the sweet influences of the place, and be still absorbed and comforted by them.

And here lies the weakness of the epicurean and artistic attitude, that it assorts so ill with the harder and grimmer facts of life.  Life has a habit of twitching away the artistic chair with all its cushions from under one, with a rude suddenness, so that one has, if one is wise, to learn a mental agility and to avoid the temptation of drowsing in the land where it is always afternoon.  The real attitude is to be able to play a robust and manful part in the world, and yet to be able to banish the thought of the bank-book and the ledger from the mind, and to submit oneself to the sweet influences of summer and sun.

     “He who of such delights can judge, and spare
      To interpose them oft is not unwise.”

So sang the old Puritan poet; and there is a large wisdom in the word oft which I have abundantly envied, being myself an anxious-minded man!

The solution is balance—­not to think that the repose of art is all, and yet on the other hand not to believe that life is always jogging and hustling one.  The way in which one can test one’s progress is by considering whether activities and tiresome engagements are beginning to fret one unduly, for if so one is becoming a hedonist; and on the other hand by being careful to observe whether one becomes incapable of taking a holiday; if one becomes bored and restless and hipped in a cessation of activities, then one is suffering from the disease of Martha in the Gospel story; and of the two sisters we may remember that Martha was the one who incurred a public rebuke.

What one has to try to perceive is that life is designed not wholly for discomfort, or wholly for ease, but that we are here as learners, one and all.  Sometimes the lesson comes whispering through the leaves of the plane-tree, with the scent of violets in the air; sometimes it comes in the words and glances of a happy circle full of eager talk, sometimes through the pages of a wise book, and sometimes in grim hours, when one tosses sleepless on one’s bed under the pressure of an intolerable thought—­but in each and every case we do best when we receive the lesson as willingly and large-heartedly as we can.