“You take out an arrest”—Meadows gave him a pocketbook—“put it in this, and keep it ready in your pocket night and day.”
“I dare say it will come into use before the year is out, sir.”
“I hope not.”
George Fielding gone to Australia to make a thousand pounds by farming and cattle-feeding, that so he may claim old Merton’s promised consent to marry Susan. Susan observing Mr. Eden’s precepts even more religiously than when he was with her; active, full of charitable deeds, often pensive, always anxious, but not despondent now, thanks to the good physician. Meadows falling deeper and deeper in love, but keeping it more jealously secret than ever; on his guard against Isaac, on his guard against William, on his guard against John Meadows; hoping everything from time and accidents, from the distance between the lovers, from George’s incapacity, of which he had a great opinion—“He will never make a thousand pence”—but not trusting to the things he hoped. On the contrary, watching with keen eye, and working with subtle threads to draw everybody into his power who could assist or thwart him in the object his deep heart and iron will were set on. William Fielding going down the hill Meadows was mounting; getting the better of his passion, and substituting, by degrees, a brother-in-law’s regard.
Flowers and weeds have one thing in common—while they live they grow. Natural growth is a slow process, to describe it day by day a slower. For the next four months matters glided so quietly on the slopes I have just indicated that an intelligent calculation by the reader may very well take the place of a tedious chronicle by the writer. Moreover, the same monotony did not hang over every part of our story. These very four months were eventful enough to one of our characters; and through him, by subtle and positive links, to every man and every woman who fills any considerable position in this matter-of-fact romance. Therefore our story drags us from the meadows round Grassmere to a massive, castellated building, glaring red brick with white stone corners. These colors and their contrast relieve the stately mass of some of that grimness which characterizes the castles of antiquity; but enough remains to strike some awe into the beholder.
Two round towers flank the principal entrance. On one side of the right-hand tower is a small house constructed in the same style as the grand pile. The castle is massive and grand. This, its satellite, is massive and tiny, like the frog doing his little bit of bull—like Signor Hervio Nano, a tremendous thick dwarf now no more. There is one dimple to all this gloomy grandeur—a rich little flower-garden, whose frame of emerald turf goes smiling up to the very ankle of the frowning fortress, as some few happy lakes in the world wash the very foot of the mountains that hem them. From this green spot a few flowers look up with bright and wondering wide-opened eyes at the great bullying masonry over their heads; and to the spectator of both, these sparks of color at the castle-foot are dazzling and charming; they are like rubies, sapphires and pink topaz in some uncouth angular ancient setting.