The final interview had taken place in the nursery among Aunt Beattie’s bricks, by which Robin was still obsessed. Dion had sat on the floor and built towers with his boy, and had wondered, as he handled the bricks in the shining of the nursery fire, whether he would come back to help Robin with his building later on. He was going out to build, for England and for himself, perhaps for Robin and Rosamund, too. Would he be allowed to see the fruits of his labors?
The towers of bricks had grown high, and with it Dion had built up another tower, unknown to Robin, a tower of hopes for the child. So much ardor in so tiny a frame! It was a revelation of the wonder of life. What a marvel to have helped to create that life and what a responsibility. And he was going away to destroy life, if possible. The grotesqueness of war had come upon him then, as he had built up the tower with Robin. And he had longed for a released world in which his boy might be allowed to walk as a man. The simplicity of Robin, his complete trustfulness, his eager appreciation of human nature, his constant reaching out after kindness without fear of being denied, seemed to imply a world other than the world which must keep on letting blood in order to get along. Robin, and all the other Robins, female and male, revealed war in its true light. Terrible children whose unconscious comment on life bites deep like an acid! Terrible Robin in that last hour with the bricks!
When the tower had become a marvel such as had been seen in no nursery before, Dion had suggested letting it be. Another brick and it must surely fall. The moment was at hand when he must see the last of Robin. He had had a furtive but strong desire to see the tower he and his son had built still standing slenderly erect when he went out of the nursery. Just then he had been the man who seeks a good omen. Robin had agreed with his suggestion after a long moment of rapt contemplation of the tower.