After ascending the outer steps, you entered an antique hall of vast dimensions, wainscoted with black carved oak, and ornamented with portraits of our ancestors:  from the square beard of Brook Lyndon, the great lawyer in Queen Bess’s time, to the loose stomacher and ringlets of Lady Saccharissa Lyndon, whom Vandyck painted when she was a maid of honour to Queen Henrietta Maria, and down to Sir Charles Lyndon, with his riband as a knight of the Bath; and my Lady, painted by Hudson, in a white satin sack and the family diamonds, as she was presented to the old King George II.  These diamonds were very fine:  I first had them reset by Boehmer when we appeared before their French Majesties at Versailles; and finally raised L18,000 upon them, after that infernal run of ill luck at ‘Goosetree’s,’ when Jemmy Twitcher (as we called my Lord Sandwich), Carlisle, Charley Fox, and I played hombre for four-and-forty hours sans DESEMPARER.  Bows and pikes, huge stag-heads and hunting implements, and rusty old suits of armour, that may have been worn in the days of Gog and Magog for what I know, formed the other old ornaments of this huge apartment; and were ranged round a fireplace where you might have turned a coach-and-six.  This I kept pretty much in its antique condition, but had the old armour eventually turned out and consigned to the lumber-rooms upstairs; replacing it with china monsters, gilded settees from France, and elegant marbles, of which the broken noses and limbs, and ugliness, undeniably proved their antiquity:  and which an agent purchased for me at Rome.  But such was the taste of the times (and, perhaps, the rascality of my agent), that thirty thousand pounds’ worth of these gems of art only went for three hundred guineas at a subsequent period, when I found it necessary to raise money on my collections.

From this main hall branched off on either side the long series of state-rooms, poorly furnished with high-backed chairs and long queer Venice glasses, when first I came to the property; but afterwards rendered so splendid by me, with the gold damasks of Lyons and the magnificent Gobelin tapestries I won from Richelieu at play.  There were thirty-six bedrooms de maitre, of which I only kept three in their antique condition,—­the haunted room as it was called, where the murder was done in James II.’s time, the bed where William slept after landing at Torbay, and Queen Elizabeth’s state-room.  All the rest were redecorated by Cornichon in the most elegant taste; not a little to the scandal of some of the steady old country dowagers; for I had pictures of Boucher and Vanloo to decorate the principal apartments, in which the Cupids and Venuses were painted in a manner so natural, that I recollect the old wizened Countess of Frumpington pinning over the curtains of her bed, and sending her daughter, Lady Blanche Whalebone, to sleep with her waiting-woman, rather than allow her to lie in a chamber hung all over with looking-glasses, after the exact fashion of the Queen’s closet at Versailles.