For love, and beauty, and delight,
    There is no death nor change; their might
    Exceeds our organs, which endure
    No light, being themselves obscure.

But it is now time to return from this digression to the poem which suggested it, and which, more than any other, serves to illustrate its author’s mood of feeling about the life beyond the grave.  The last lines of “Adonais” might be read as a prophecy of his own death by drowning.  The frequent recurrence of this thought in his poetry is, to say the least, singular.  In “Alastor” we read:—­

    A restless impulse urged him to embark
    And meet lone Death on the drear ocean’s waste;
    For well he knew that mighty Shadow loves
    The slimy caverns of the populous deep.

The “Ode to Liberty” closes on the same note:  —­

    As a far taper fades with fading night;
    As a brief insect dies with dying day,
    My song, its pinions disarrayed of might,
    Drooped.  O’er it closed the echoes far away
    Of the great voice which did its flight sustain,
    As waves which lately paved his watery way
    Hiss round a drowner’s head in their tempestuous play.

The “Stanzas written in Dejection, near Naples”, echo the thought with a slight variation:—­

    Yet now despair itself is mild,
    Even as the winds and waters are;
    I could lie down like a tired child,
    And weep away the life of care
    Which I have borne, and yet must bear,—­
    Till death like sleep might steal on me,
    And I might feel in the warm air
    My cheek grow cold, and hear the sea
    Breathe o’er my dying brain its last monotony.

Trelawny tells a story of his friend’s life at Lerici, which further illustrates his preoccupation with the thought of death at sea. he took Mrs. Williams and her children out upon the bay in his little boat one afternoon, and starting suddenly from a deep reverie, into which he had fallen, exclaimed with a joyful and resolute voice, “Now let us together solve the great mystery!” Too much value must not be attached to what might have been a mere caprice of utterance.  Yet the proposal not unreasonably frightened Mrs. Williams, for Shelley’s friends were accustomed to expect the realisation of his wildest fancies.  It may incidentally be mentioned that before the water finally claimed its victim, he had often been in peril of life upon his fatal element—­during the first voyage to Ireland, while crossing the Channel with Mary in an open boat, again at Meillerie with Byron, and once at least with Williams.