St. Elmo eBook

This eBook from the Gutenberg Project consists of approximately 646 pages of information about St. Elmo.

St. Elmo eBook

This eBook from the Gutenberg Project consists of approximately 646 pages of information about St. Elmo.

It was one of those rare and royal afternoons late in August, when summer, conscious that her reign is well-nigh ended, gathers all her gorgeous drapery, and proudly robes the world in regal pomp and short-lived splendor.  Pearly cloud islets, with silver strands, clustered in the calm blue of the upper air; soft, salmon-hued cumulus masses sailed solemnly along the eastern horizon—­ atmospheric ships freighted in the tropics with crystal showers for thirsty fields and parched meadows—­with snow crowns for Icelandic mountain brows, and shrouds of sleet for mouldering masts, tossed high and helpless on desolate Arctic cliffs.  Restless gulls flashed their spotless wings, as they circled and dipped in the shining waves; and in the magic light of evening, the swelling canvas of a distant sloop glittered like plate-glass smitten with sunshine.  A strong, steady, southern breeze curled and crested the beautiful, bounding billows, over which a fishing-smack danced like a gilded bubble; and as the aged willows bowed their heads, it whispered messages from citron, palm, and orange groves, gleaming far, far away under the white fire of the Southern Crown.  Strange tidings these “winged winds” waft over sea and land; and to-day, listening to low tones that traveled to her from Le Bocage, Edna looked out over the ever-changing, wrinkled face of the ocean, and fell into a reverie.

Silence reigned in the sitting-room; Hattie fitted a new tarlatan dress on her doll, and Felix was dreaming of Prestonpans.

The breeze swept over the cluster of Tuscan jasmine and the tall, snowy phlox nodding in the green vase on the table, and shook the muslin curtains till light and shadow chased each other like waves over the noble Longhi engraving of Raphael’s “Vision of Ezekiel,” which hung just above the piano.  After a while Felix took his chin from the windowsill, and his eyes from the sparkling, tossing water, and his gaze sought the beloved countenance of his governess.

“The mouth with steady sweetness set, And eyes conveying unaware The distant hint of some regret That harbored there.”

Her dress was of white mull, with lace gathered around the neck and wristbands; a delicate fringy fern leaf was caught by the cameo that pinned the lace collar, and around the heavy coil of hair at the back of her head, Hattie had twined a spray of scarlet tecoma.

Save the faint red on her thin, flexible lips, her face was as stainless as that of the Hebrew Mary, in a carved ivory “Descent from the Cross,” which hung over the mantelpiece.

As the boy watched her he thought the beautiful eyes were larger and deeper, and burned more brilliantly than ever before and the violet shadows beneath them seemed to widen day by day, telling of hard study and continued vigils.  Pale and peaceful, patiently sad, without a trace of bitterness or harshness, her countenance might have served as a model for some which Ary Scheffer dimly saw in his rapt musings over “Wilhelm Meister.”

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Project Gutenberg
St. Elmo from Project Gutenberg. Public domain.